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Exploring diverse genres, I paint portraits, flowers, and still lifes or resort to the abstract outlook and the reinterpretation posed by workshops in order to carry out, from my standpoint, an incisive critique of conventional imperatives.
I would say that through my practice -closer to the expressionist approach- and taking advantage of a diversity of supports, my intention is to do away with appearances and explore the visceral, the convulsed an the harrowing in a dialogue occurring in the limits of excess and beauty.