Details
- Dimensions
- 25.75ʺW × 0.5ʺD × 21.25ʺH
- Styles
- Impressionist
- Modern
- Frame Type
- Unframed
- Art Subjects
- Landscape
- Period
- 1960s
- Item Type
- Vintage, Antique or Pre-owned
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- Materials
- Canvas
- Oil Paint
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Peach
- Condition Notes
- minor losses, minor restoration; unframed minor losses, minor restoration; unframed less
- Description
-
Signed lower left, 'V. Rorup' for Viggo Julius Rorup (Danish, 1903-1971) and dated 1967.
A substantial, Post-Impressionist oil landscape showing … more Signed lower left, 'V. Rorup' for Viggo Julius Rorup (Danish, 1903-1971) and dated 1967.
A substantial, Post-Impressionist oil landscape showing a view of the Mediterranean with an orange tree in the foreground and blossoming apple trees in the foreground, framing a view across cultivated fields towards the azure ocean beneath a clouded, lilac sky; an elegant and painterly work that exemplifies the artist's characteristically lyrical brushwork, expressed here in a soft palette of moss, teal and lavender.
Viggo Rorup was still a student at the Royal Danish Academy of Fine Arts when he made his 1928 debut at the Free Exhibition at the Charlottenborg Palace. Following his graduation in 1930, he moved to Odsherred, where he continued his studies under Karl Bovin. Together, they formed the foundation of the avant-garde group of Modernists, The Corner, that first introduced the principles of Modernism to a whole generation of Danish painters.. Rorup traveled widely, including to Italy, Austria, Spain and, most importantly, to France, where his studies of the Post-Impressionists came to exert a powerful influence on his later work. His palette brightened and his earlier, defined, contours were subsumed into dazzling nuances of light. We are pleased to offer this painting from the artist's late period; a work that exemplifies the qualities of his mature style, harmoniously capturing the warmth and the color of a southern summer landscape.
Exhibitions:
KE 1928-29, 1933-38; Corner Harvest 1939-41; Corner 1942- 71, 1981; Liljevalchs, Sth. 1946; Union Francia, 1947; Nordic Arts Association. 1947; Wild Wheat, Kunstindustrimus. 1948; New Carlsberg Foundation, Charlottenborg Palace, 1952; Cromisterne 1952;Kalundborg 1952; Da. contemporary art, Charlottenborg Palace 1956, 1958; Danish Institute Contemporary Art, Freedom Hall, Sønderborg 1961; Ostseeländer, Rostock 1961-62, 1969; Artists in Odsherred, 1977; Copenhagen 1978; Danish. landscapes, Norwegian Art Museum. 1981; Danish Cultural Institute, The Artists House, Ukraine 1986. Separate Exhibitions: Binger Gallery Copenhagen. 1938; Art Unite., Copenhagen. 1964 (retrosp.); Haagen-Müller Kunsthdl., Copenhagen. 1966; Farumgaard, Farum 1971 (Artist Retrospective); Odsherred painter Retrospective, Odsherreds Museum, 1983; Norwegian Art Museum. 1985; Odsherreds Art Museum. 1993; et al.
Literature:
Pol. 1.4.1957; 03/08/1983; 05/17/1985; Holbæk County Venstrebl. 28/06/1958; Ulf Hoffmann in: Cat. Corner, 1959; News 15/11/1964; Gunnar Jespersen: The abstract, 1967, 107; Berl. Time. 17/01/1971; Inger Hjorth Nielsen: Cat. Corner, 1971-72; January Garff in: Corner Book, 1973; HE Nørregård-Nielsen: Da. Art, I-II, 1983; Marianne Saabye: Odsherred painter VR, 1903-71, Odsherreds Mus., Nyk. S. 1983; Monika C. Blatschek in: VR, 1903-71, Odsherreds Kunstmuseum, Asnæs 1993; et al. less
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