Details
- Dimensions
- 28ʺW × 0.25ʺD × 24ʺH
- Styles
- Modern
- Art Subjects
- Botanic
- Frame Type
- Unframed
- Period
- 1960s
- Country of Origin
- United States
- Item Type
- Vintage, Antique or Pre-owned
Shop Sustainably with Chairish
- Materials
- Paper
- Screen Print
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Blue
- Condition Notes
- Some tonal ageing to paper, especially along top edge. Some creases and tears around edges of paper (stabilized). Imperfections are … moreSome tonal ageing to paper, especially along top edge. Some creases and tears around edges of paper (stabilized). Imperfections are not visible with the mat. less
- Description
-
Titled in lower left corner ("Coast July No. 2")
Numbered lower center ("9/23")
Signed and dated twice in lower right, … more Titled in lower left corner ("Coast July No. 2")
Numbered lower center ("9/23")
Signed and dated twice in lower right, once inside the artwork, once below ("Bothwell '63" and "Dorr Bothwell '63")
Presented in a cream colored mat with foamcore backing.
Mat size: 24"H x 28"W
Paper size: 20"H x 26"W
Dorris Hodgson Bothwell (American, 1902–2000), known as Dorr, was born in San Francisco, California, on May 3, 1902. The Bothwell family moved to San Diego in 1911, where they became friends and neighbors with the artists Anna and Albert Valentien. Dorr began her art studies with Anna in 1916 at the age of 14. In the early 1920s, Dorr returned to San Francisco to study at the California School of Fine Arts, then studied at the University of Oregon, in Eugene, and the Rudolph Schaeffer School of Design, which was founded in San Francisco, 1926.
After receiving a modest inheritance, Dorr traveled to American Samoa in 1928, where she remained for two years and produced many works of art in a wide variety of mediums. Some of these were successfully shown at the Fine Arts Gallery of San Diego and the Beaux Gallery in San Francisco, allowing her to spend time in England, France, and Germany.
Returning to San Diego in 1931, Dorr became involved, once more, with the San Diego art community and exhibited with the San Diego Moderns and the San Diego Art Guild, winning the Leisser-Farnham prize in 1932. Also in 1932, she married fellow artist and sculptor Donal Hord. They divorced in 1934 but remained friends.
In 1934, Dorr was in Los Angeles; there she joined the postsurrealist circle of Lorser Feitelson and Helen Lundeberg, finding some parallels between their post-surrealist concepts and her own work. She attended classes conducted by Feitelson as part of the Public Works of Art Project (1933–34) and eventually joined the Works Progress Administration’s Federal Art Project as a painter in the mural division. She produced several murals for the WPAin Los Angeles and Riverside, California, and another for a coffee company in San Francisco in 1939. During the same period, she also designed pottery for the Gladding, McBean & Co., Glendale, California. In the 1940s and 50s she taught at the California School of Fine Arts, San Francisco.
Some of her many exhibitions included San Francisco Art Association 1925–1957; Modern Art Gallery, San Francisco, 1927; San Diego Art Guild, 1927, 1933; San Francisco Women Artists, 1929, 1942; Oakland Art Gallery later Oakland Museum of California), 1932; Golden Gate International Exposition, 1939; Riverside Art Association 1941; California Palace of the Legion of Honor, 1948–1964; and in 1958, a solo exhibition at the M.H. de Young Memorial Museum, San Francisco.
Dorr traveled and studied widely in Europe, Africa, and Southeast Asia, and her work is represented in major museums all over the world. The last years of her life, she lived and continued to teach in Mendocino, California.
Dorr Bothwell passed away on September 24, 2000, in California. less
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