Details
- Dimensions
- 22.5ʺW × 1ʺD × 30ʺH
- Frame Type
- Unframed
- Art Subjects
- Abstract
- Period
- 1990s
- Country of Origin
- United States
- Item Type
- Vintage, Antique or Pre-owned
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- Materials
- Etching
- Lithograph
- Paint
- Paper
- Wood
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- White
- Condition Notes
- Excellent condition Excellent condition less
- Description
-
Amazing portfolio of works by David Chamberlain in colaboration with Richard Royce, part of the Duett series of works. . …
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Amazing portfolio of works by David Chamberlain in colaboration with Richard Royce, part of the Duett series of works. . 10 works in total inspired by musical patterns, Each lithograph is signed by Richard Royce and David Chamberlain. Printed on Rives paper from France. Each piece is in excellent condition. The images are 30" x 22.5" , the Images size is 24" x 17.5".
After getting his BA and MA in fine art at the University of Wisconsin, Richard went to France to study with Stanley W. Hayter, (the father of modern printmaking). On returning to the US he opened a studio where he produced etchings, cast paper, paintings and sculptural commissions of his own work while at the same time helping other artists including Roy Lichtenstein, Larry Rivers, Marisol, George Segal, Raphael Soyer, Francoise Gilot and Jim Rosenquist to realize works in various media.
I have thought about doing a number of exceptional things with my life, and in my formative years I considered careers in medicine, music, aviation and architecture (among others).
Every course I took, every field I explored, was meaningful and compelling… I was curious about almost everything I encountered – intellectually, spiritually and emotionally.
I have chosen a career in the Visual Arts, making paintings and sculptures, because these endeavors are so remarkable, and so difficult. I believe that the making of original fine art is the most challenging, and the most complex, and the most stimulating discipline of all.
In this fertile field there are few roadmaps and few guarantees. I enjoy and appreciate the thrill of the aesthetic chase, and the risk factor inherent in taking imaginative roads less travelled.
As such I embrace the blank canvas and the imposing block of wood. Coming up with something extraordinary where nothing existed before is one of life's great pleasures, and rewards.
This is what artists do every day.
- David Chamberlain less
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