Details
- Dimensions
- 17ʺW × 0.01ʺD × 22ʺH
- Frame Type
- Unframed
- Art Subjects
- Botanic
- Period
- 16th Century
- Country of Origin
- Italy
- Item Type
- Vintage, Antique or Pre-owned
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- Materials
- Paper
- Pen and Ink
- Woodcut
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Off-white
- Condition Notes
- Excellent used condition. This print has been well preserved and cared for. Print is matted and ready to be framed. Excellent used condition. This print has been well preserved and cared for. Print is matted and ready to be framed. less
- Description
-
Antique Xilografia (Woodcut) by Mattioli Pietro Andrea Woodcut on Paper. Print is matted and ready to be framed. Certificate of …
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Antique Xilografia (Woodcut) by Mattioli Pietro Andrea Woodcut on Paper. Print is matted and ready to be framed. Certificate of authenticity on reverse.
The large woodcuts first shown in the 1562 and 1565 editions of Pietro Andrea Mattioli’s great herbal are among the most admired botanical illustrations of the sixteenth century. Quite simply, these are the most remarkable botanical woodcuts ever printed, in their intricacy of design and execution.
Dimensions
17” x 22”
Acquired at a large art collector's estate in 2023.
Pietro Andrea Mattioli, a Renaissance physician and botanist, was born Mar. 23, 1501. In 1544, Mattioli published a translation with commentary of an ancient text, De materia medica, by the Greek physician Dioscorides. This was basically a book of medical botany, describing about 500 plants and indicating their use for the physician.
The first edition of Mattioli's celebrated commentary on Dioscorides' De materia medica – the most significant botanical book from antiquity and the most authoritative source on medical botany during the Renaissance – first appeared in the Italian language in Venice in 1544 as an unillustrated edition titled Di Pedacio Dioscoride Anazarbeo Libri cinque della historia et materia medicinale. The publishing initiative was met with immediate success, and unauthorised editions soon appeared, including that of 1549, printed in Mantua. The event led Mattioli to produce an expanded Latin edition of his work, which was issued in 1554 by the Venetian printer Vincenzo Valgrisi and included new information on herbs and plants, along with the first appearance of small woodcuts that would assist in the reading and studying of the text. less
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