Maldon, GB
Details
- Dimensions
- 23.62ʺW × 0.39ʺD × 32.68ʺH
- Styles
- Modern
- Art Subjects
- Still Life
- Period
- 1970s
- Item Type
- Vintage, Antique or Pre-owned
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- Materials
- Paper
- Condition
- Good Condition, Unknown, Some Imperfections
- Color
- Charcoal
- Condition Notes
- Very Good — This vintage item has no defects, but it may show slight traces of use\. Wear consistent with … moreVery Good — This vintage item has no defects, but it may show slight traces of use\. Wear consistent with age and use. less
- Description
-
Study for a man seated sculpture michael kenny ra original artist: michael kenny ra (1941-1999) chalk numbers on verso born …
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Study for a man seated sculpture michael kenny ra original artist: michael kenny ra (1941-1999) chalk numbers on verso born in liverpool 1941, he son of an engineer. Studied at liverpool art school, alongside stuart sutcliffe (an early beatle) and john lennon. He then went onto slade in 1961 to study under reg butler, who nicknamed his protege "the liverpool italian". His distinguished career began when exhibited in oxford in 1964. Michael was one of the most influential british sculptors of his generation and his contemplative geometric stone works became increasingly well regarded. He was elected associate member of the royal academy in 1976 and a royal academician in 1986. Today his work is held in museums all over the world including the british museum, the tate gallery and the v&a in london. He has had solo shows in germany, sweden, milan, paris, los angeles, london, japan and dubai. Subsequently many corporations and private collectors throughout the world hold examples of his work. On michael kenny's gravestone in highgate cemetery is the title of one of his sculptures, more loved than known. The legend has been prophetic. He has a passionate following among the thousands of students he taught, who include antony gormley and damien hurst. Michael kenny: sculpture & drawings this was an exhibition of michael kenny’s recent sculptures and drawings, from 1975 to 1977. Kenny (1941-1999) first studied in his home city of liverpool before moving to london to continue his studies at the slade. Following a successful international career, he was appointed a royal academician in 1986, and in 1997, two years before his death, he had a solo exhibition at the royal academy. Several of the sculptures in this serpentine exhibition derived from his earliest pre-occupation, the human figure. In the works displayed, kenny took particular inspiration from the female figure, lying or sitting, occupying, and informing an intimate space. We can see the workings of the artist and possible preparatory sketch for the included sculpture in the following images. Michael kenny was a sculptor and a painter, a prolific draughtsman and a print-maker. His early sculptures are dramatic, dealing with the isolation and loneliness of the individual. In later years, he worked mainly in stone in a quest for a sculpture that is simple in form and rich in meaning. With over 60 illustrations and key excerpts from the sculptor's own notebooks, this book provides the first opportunity to examine in detail the progress of michael kenny's career. Peter davies traces his development from art school in liverpool during the 1960s to the present. Kenny has said, 'i use drawing as a means to symbolic understanding. It is the unifying cotton in all the work that i do, whether sculpture, drawing or painting. In both the drawing and the sculpture there is an overt and covert geometry. It is the conceptual framework which holds things together. Stone, wood, charcoal are different manifestations of the same matter - to draw with stone, to carve with charcoal and paper'. This account covers his work in all media and elucidates the fascinating relationship between the artist's drawing and sculpture. Michael kenny was one of the leading british sculptors of his generation. His sculptures have been acquired by public collections around the world. this piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity
issues arising from misattribution less
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