Pasadena, CA
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Details
- Dimensions
- 42ʺW × 2ʺD × 32ʺH
- Frame Type
- Framed
- Art Subjects
- Figure
- Period
- 19th Century
- Country of Origin
- France
- Item Type
- Vintage, Antique or Pre-owned
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- Materials
- Canvas
- Fresco
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Blue
- Condition Notes
- Excellent - Minor wear consistent with age and history Excellent - Minor wear consistent with age and history less
- Description
-
Henry-Pierre Picou- Women Clipping Cupid Wings-19th century Oil Painting
French Realism Neoclassical Mythological Genre - Oil painting on canvas- signed … more Henry-Pierre Picou- Women Clipping Cupid Wings-19th century Oil Painting
French Realism Neoclassical Mythological Genre - Oil painting on canvas- signed and dated 1874
Canvas size 24x36" - Frame size: 42 x 32"
Artist Biography
Henry-Pierre Picou (1824-1895) was a French Neoclassical / Neo-Grec painter known for his mythological, history, and Orientalist paintings. He was born in Nantes, Upper Brittany, France on February 27, 1824.Picou studied at the Ecole Nationale Superieure des Beaux-Arts, Paris, under Swiss academic painter Charles (Marc-Charles) Gleyre (1806-1874). Gleyre was a popular teacher and his students became giants in the art world, including Claude Monet, Pierre Auguste Renoir, Alfred Sisley and James Abbott McNeill Whistler. The Swiss master's precise draughtsmanship and perspective drawing was instilled within his students, including the work of Picou. It was at the Ecole that Picou met like-minded fellow artists Jean-Léon Gérome (1824-1904), Jean-Louis Hamon (1821-1874) and Gustave Boulanger (1824-1888), all of whom with Picou championed the French Neoclassic movement. Neoclassic art looked to the grandeur and formality of Greek and Roman antiquity, their myths and history as a reaction to the overly stylized Rococo movement. Picou and his fellow artists sought a rational, methodical and logical approach to art, rejecting artistic whim. Of the artist's circle, Picou's work shows the closest stylistic ties to his teacher Gleyer. Gleyer traveled for more than six years in the Far East which would also influenced Picou.During his career, Picou began with portraits, proceeded to classical historical subject matter and finished with allegorical and mythological themes. He received large religious fresco commission including the Église Saint-Roch church in Paris.Picou exhibited at the Paris Salon beginning in 1847. In 1848, he won a second-place medal for his Cléopâtre et Antoine sur le Cydnus [Cleopatra on the Cydnus]. French art critic Théophile Gautier commented that the work was "...too ambitious", but also said that, "as it is, it gives the best hope for the future of the young artist, and ranks among the seven or eight most important paintings of the Salon." It was such an important painting, considered one of Picou's masterpieces, that it traveled to American in 1875, eventually ending up in San Francisco, CA. After his great Salon success, Picou opened a large studio on the Boulevard de Magenta, Paris. It allowed him to freely work on large painting and fresco commissions. In 1853, his popularity and fame grew, winning the second ever Rome Prize. Picou won a second-place medal in the 1857 Paris Salon. He continued to show almost ever year at the Salon until 1893, two years before his death. Picou died on July 17, 1895. less
Pasadena, CA
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