Hamburg, DE
Details
- Dimensions
- 27.56ʺW × 19.69ʺD
- Styles
- Modern
- Art Subjects
- Abstract
- Period
- 1970s
- Country of Origin
- Germany
- Item Type
- Vintage, Antique or Pre-owned
Shop Sustainably with Chairish
- Materials
- Cardboard
- Condition
- Good Condition, Unknown, Some Imperfections
- Color
- Black
- Condition Notes
- Patina Consistent with Age and Use Patina Consistent with Age and Use less
- Description
-
Original serigraph on white cardboard, signed by Erwin Heerich below the image. Dimensions sheet: 50.0 x 70.0 cm. Dimensions illustration: …
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Original serigraph on white cardboard, signed by Erwin Heerich below the image. Dimensions sheet: 50.0 x 70.0 cm. Dimensions illustration: 40.0 x 57.5 cm. Published by the Griffelkunst-Vereinigung, Hamburg, 1973. Griffelkunst, list of editions: choice 190 B1. 1 corner with crease (about 20 cm), very shlightly rubbed. Good condition.
Erwin Heerich, born November 29, 1922 in Kassel, died November 6, 2004 in Meerbusch-Osterath. Studied from 1945 to 1950 at the Düsseldorf State Art Academy (with Ewald Mataré), until 1954 in the master class studio together with Joseph Beuys.
As a student of Ewald Mataré at the Düsseldorf Art Academy, he developed an independent sculptural work in the 1950s, always remaining true to his individual artistic line and never allowing himself to be taken over by the "zeitgeist". As a two-time documenta participant, he received international attention. Besides Europe, he has had exhibitions in New York, Tokyo, Cairo and the São Paulo Biennial. from 1968 to 1982 he taught as a professor at the Düsseldorf Art Academy. As an academic teacher and colleague who enjoyed discussion, he was one of the most influential personalities there for many years.
Heerich's work was based on everyday objects such as animals, trees, mannequins, chairs and umbrellas. He was never concerned with the mimetic depiction of the outside world, but was always only interested in the architectural, as he himself described his sculptural concept in conversation with Heinz-Norbert Jocks. This piece has an attribution mark,
I am sure that it is completely authentic and take full responsibility for any authenticity
issues arising from misattribution less
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