Details
- Dimensions
- 39ʺW × 0.1ʺD × 30ʺH
- Styles
- Abstract
- Minimalist
- Modern
- Frame Type
- Unframed
- Period
- 1960s
- Item Type
- Vintage, Antique or Pre-owned
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- Materials
- Screen Print
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Yellow
- Condition Notes
- In great vintage condition with slight handling creases. In great vintage condition with slight handling creases. less
- Description
-
Larry Zox (1936-2006)
Untitled, c 1965
Screenprint in colors on paper
30 x 39 inches (76.2 x 99.1 cm) (sheet) … more Larry Zox (1936-2006)
Untitled, c 1965
Screenprint in colors on paper
30 x 39 inches (76.2 x 99.1 cm) (sheet)
Ed. 77/100
Signed and numbered in pencil along lower edge
About The Artist:
Committed to abstraction throughout his career, Larry Zox played a central role in the Color Field discourse of the 1960s and 1970s. His work of the time, consisting of brilliantly colored geometric shapes in dynamic juxtapositions, demonstrated that hard-edge painting was neither cold nor formalistic. He reused certain motifs, but he did so less to explore their aspects than to “get at the specific character and quality of each painting in and for itself,” as James Monte stated in his essay for Zox’s solo exhibition at the Whitney Museum of American Art in 1973. By the 1970s, Zox was using a freer, more emotive method, while maintaining the autonomy of color, which increasingly became more important to him than structure in his late years.
Zox began to receive attention in the 1960s, when he was included in several groundbreaking exhibitions of Color Field and Minimalist art, including Shape and Structure (1965), organized by Henry Geldzahler for the Gallery of Modern Art, New York, and Systemic Painting (1966), organized by Lawrence Alloway for the Guggenheim Museum. In 1973, the Whitney’s solo exhibition of Zox’s work gave recognition to his significance in the art scene of the preceding decade. In the following year, Zox was represented in the inaugural exhibition of the Hirshhorn Museum, which owns fourteen of his works.
Zox’s work is included in many important public collections. In addition to the Hirshhorn, it belongs to the Museum of Modern Art, New York; the Whitney Museum of American Art, New York; the Metropolitan Museum of Art New York; the Guggenheim Museum, New York; the Tate Modern, London; the Neues Museum, Bremen, Germany; the Museum of Fine Arts, Boston; the Fogg Art Museum, Harvard University, Cambridge, Massachusetts; the Museum of Fine Arts, Houston; the Dallas Museum of Fine Arts; and many others. less
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