Details
- Dimensions
- 39.37ʺW × 39.37ʺD × 39.37ʺH
- Styles
- Contemporary
- Art Subjects
- Animals
- Period
- Early 21st Century
- Item Type
- Vintage, Antique or Pre-owned
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- Condition
- Good Condition, Unknown, Some Imperfections
- Color
- Condition Notes
- Very Good — This vintage item has no defects, but it may show slight traces of use. Very Good — This vintage item has no defects, but it may show slight traces of use. less
- Description
-
Royal dance. 2022. Oil on canvas, d 100 cm round shape painting with common cranes. “ilze laizane finds inspiration in …
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Royal dance. 2022. Oil on canvas, d 100 cm round shape painting with common cranes. “ilze laizane finds inspiration in medieval and renaissance art and the ideas of symbolism in particular. Painting bodies of animal and people one over the other forms transparent layers, coming out as a rhythm and effect of illusory space”[1] perhaps the symbolism of the images of the past surprises and tempts us, because we have not experienced those times - the images inspire us, refresh the entanglements of the 21st century technocratic society and focus attention on the power that is still with us, but in a different form. This power, embodied by the artist ilze laizāne, appeals intermediate - in the latest cycle of paintings, viewpoints and gazes are captured, both inwardly and outwardly. The viewer will always be the viewer, and this time the language of colors and shapes gives us an opportunity to look into the play of circles and birds. The artist's message is luxurious and open, there is a sense of saturation, veiling and reflection, which often through questions allows us to get closer to the moment when the eyes will move away from the phone screens to find other values. [1] latvia, wow! contemporary artists from latvia. Publisher fabrica (treviso); 1st edition (january 1, 2014) hardcover : 456 pages isbn-10 : 8898764294 isbn-13 : 978-8898764297 (p’ 232.) this piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity
issues arising from misattribution less
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