New York, NY
Details
- Dimensions
- 13.03ʺW × 0.1ʺD × 13.03ʺH
- Styles
- Abstract
- Art Subjects
- Abstract
- Frame Type
- Unframed
- Artist
- Joanne Freeman
- Period
- 2010s
- Country of Origin
- United States
- Item Type
- New
- Materials
- Gouache
- Paper
- Condition
- Mint Condition, No Imperfections
- Color
- Black
- Condition Notes
- New New less
- Description
-
Gouache on handmade Khadi paper
Edition: Unique, Unframed.
Joanne Freemans works on paper are made with gouache on handmade Indian … more Gouache on handmade Khadi paper
Edition: Unique, Unframed.
Joanne Freemans works on paper are made with gouache on handmade Indian Khadi paper.She uses tape to mask out shapes and employ hard edges, working spontaneously, placing down a shape and then building upon it.Heruse of singular color accentuates the interplay of ground, foreground relationships.Freeman tries to merge random gestures and idiosyncratic shapes with a controlled and reductive abstract language.This piece is part of a series titled "Covers", itpays homage to the graphic style of album covers, paperback book covers and media that permeated mid-century popular culture.The limited choices of early printing technology leant itself to simple, direct and innovative compositions that Freemans also strives for.
Joanne Freeman is an American abstract painter who creates minimalist reductive paintings and works on paper, featuring hard edged abstract forms and bold, vivid, gestural markings. She lives and works in New York City. Freeman attended the University of Wisconsin, where she earned a B.S. in Fine Arts in 1976. She earned her M.A. in Studio Art from New York University in 1981. She has taught painting and drawing at NYU and The New School for Social Research and worked as a visiting artist and lecturer at The New York Studio School and the Massachusetts College of Art. The American artist paints with gouache on Khadi, a handmade Indian paper fashioned from long fibered cotton. Her oeuvre is exemplified by vivid colors, geometric shapes, hard edge lines, and curved, gestural marks painted against white backgrounds. Freeman presents a reductive visual language that references urban symbols and signs, architectural patterns, and the interplay between shadow and light.Freemans process involves taping off areas to create hard edges, and combining those areas of control with spontaneous mark making. The scale of her works and the marks she creates are both dictated by the extent of her physical reach. The resulting images express physicality, emotion, limitation and randomness, combined with a precise, minimalist aesthetic. Freeman is heavily influenced by the ideas of the Bauhaus School, which emphasized combining the ideas and techniques of art, architecture and design. She endeavors to present new forms in a simple way.The artist also influenced by Mid-Century modern graphic design aesthetics. The hard edge look of many of her images references well-defined shadows created by sunlight on buildings. Shes an admirer of the work of reductive artists such as Ellsworth Kelly, Paul Feeley, and Kenneth Noland. Her striking pieces are included in numerous corporate collections, including those of The Prudential, Readers Digest, and the University of Maine Museum of Art, and private collections including those of Gail Stavitsky, the Curator of Collections and Exhibitions for the Montclair Art Museum, and Andy Summers, guitarist for the band The Police. Freeman has exhibited her amazing paintings extensively in galleries and museums, in solo and group exhibitions, throughout the US and internationally. The artist's solo show entitled Recent Paintings and Drawingswas on display at Kathryn Markel Fine Arts, NY, in February 2016. Her art has been reviewed in ARTnews and The New York Observer. Kathryn Markel Fine Arts, New York, NY less
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New York, NY
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