Details
- Dimensions
- 29ʺW × 4ʺD × 35ʺH
- Frame Type
- Framed
- Art Subjects
- Landscape
- Period
- 1990s
- Country of Origin
- United States
- Item Type
- Vintage, Antique or Pre-owned
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- Materials
- Glass
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Ebony
- Condition Notes
- Excellent condition with no visible flaws Excellent condition with no visible flaws less
- Description
-
Eyvind Earl Signed & Numbered 3/5 Serigraph “Early Autumn” 1996 Framed COA Printers Proof
Stunning Signed & Numbered 3 out … more Eyvind Earl Signed & Numbered 3/5 Serigraph “Early Autumn” 1996 Framed COA Printers Proof
Stunning Signed & Numbered 3 out of 5 Printers Proof Serigraph from Eyvind Earl titled “Early Autumn” from 1996. Certificate of Authenticity on back. Framed in a piano black laquer frame with black matte behind glass.
Absolutely striking piece in Magic Realism style. Exceedingly rare Printers Proof.
Frame measures 29” x 35”, image size is 17” x 23”. No flaws.
He joined Walt Disney Studios as an assistant scenic artist. At Disney Studios, he was given full control of the backgrounds and colors for Sleeping Beauty, Peter Pan and Lady and the Tramp.
He was appointed to do most of the backgrounds. His style is often fantastical and serene, with motifs of trees and forests.
After 15 years in the animation business, Earle returned to painting full-time, and spent the rest of his life doing that. Over the next few decades, he had countless solo exhibitions across the United States and abroad, including ones in London, Japan and France. In 1991, his illustrated autobiography Horizon Bound on a Bicycle was published, as was his book, The Complete Graphics of Eyvind Earle and Selected Poems and Writings, 1940-1990. After countless shows exhibiting his work and honoring his lifetime of achievements both in animation and in painting, Eyvind Earle passed away on July 20, 2000. Earle’s early work was strictly realistic, but by the time he was 21, his style was characterized by a magical simplicity and directness. This transition was influenced by his study of the work of Van Gogh, Cezanne, Rockwell, Kent, and Georgia O’Keefe, and the end result was wildly popular less
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