Blue Art Print - Abstract Diptych of Blue Triangles in Dark to Light Gradient - Horizontal Contemporary Canvas Art Print

Description

DREAMSCAPE series No. 02, Various Shades of Blues, size W36"xH24"D.75" Horizontal Stretched Canvas Art Print

Abstract Diptych of Blue Triangles … more DREAMSCAPE series No. 02, Various Shades of Blues, size W36"xH24"D.75" Horizontal Stretched Canvas Art Print

Abstract Diptych of Blue Triangles in Dark to Light Gradient - Contemporary Canvas Art

The Dreamscape series is an example of geometric abstraction, which is a form of abstract art based on the use of geometric forms. Geometric abstraction aims to capture the essence of the world by reducing it to its primary forms, thus connecting the human with its spiritual existence. The non-relational arrangement of forms on the canvas, the neatness of the surface, and the fullness of the colors mastered by the artist in this series transport the viewer to another dimension, a dreamlike place where it is allowed to get a glimpse of the true meaning of life. The blue palette is perfect to rest the eye and the mind.


More on The Dreamscape Series
This work represents one of many strands in Marz’s practice, here exploring the possibilities of geometric forms coupled with hard edge abstraction. Tightly defined around precise angular shapes, the composition exploits a bold sense of duality. Triangular forms appear to be the dominant element in the image yet are themselves parts in a complex geometric landscape. The parallel lines of the canvas limits are repeated within the work creating a sense of multiple canvases within the composition and discrete forms within the larger whole.

This quality of multiplicity is reinforced through Marz’s confident choice of color palette. The seemingly restrained field of blue tones is actually a stretch within chromatic limits, playing with dark and light tones, and all between, suggesting no two compositional elements in this painting are truly alike. A single interjection into the structural language of the painting comes in the off-scheme gray and white section, a not so subtle change of course from the artist’s plans and moment of improvisation. less