Details
- Dimensions
- 14ʺW × 0.1ʺD × 18ʺH
- Styles
- Illustration
- Neoclassical
- Frame Type
- Unframed
- Art Subjects
- Botanic
- Period
- Early 18th Century
- Item Type
- Vintage, Antique or Pre-owned
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- Materials
- Engraving
- Mezzotint
- Paper
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Green
- Condition Notes
- Good antique condition with slight wear around the edges and some staining commensurate with age. Good antique condition with slight wear around the edges and some staining commensurate with age. less
- Description
-
N. 18, “Phytanthoza Iconographia,” circa 1734, Johann Wilhelm Weinmann.
This 18th century attractive hand-colored mezzotint engraving is from “Phytanthoza Iconographia,” … more N. 18, “Phytanthoza Iconographia,” circa 1734, Johann Wilhelm Weinmann.
This 18th century attractive hand-colored mezzotint engraving is from “Phytanthoza Iconographia,” circa 1734. Good antique condition with slight wear around the edges and some staining commensurate with age.
Johann Wilhelm Weinmann employed the youthful Georg Dionysius Ehret as illustrator, who used a newly developed printing process involving mezzotint, which allowed greater detail and shading, and was finished by hand-colouring. Seuter and Ridinger turned out the first volumes, while Johann Jakob Haid managed the later volumes. Because Phytanthoza Iconographia was to become Ehret's first published work, he set about the project with great enthusiasm. Phytanthoza iconographia is highly regarded for the quality of its colour plates, and the accuracy of its images compared with previous herbals. Weinmann was greatly respected for his writings on medicinal plants and herbs, and Phytanthoza iconographia is recognised as the first important botanical work to use colour engraved prints.
Paper size: approx. 10”W x 15.5”H
Mat size: approx. 14”W x 18”H
Comes unframed as a loose flat paper lightly secured to a thin black backing board with corner mounts, and inside a clear plastic envelope. less
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