DADA Objet Trouve S.L. - Contemporary
Barcelona, ES
Details
- Dimensions
- 27.17ʺW × 29.92ʺD × 29.13ʺH
- Styles
- Contemporary
- Brand
- Cassina
- Country of Origin
- Italy
- Item Type
- Made to Order
- Estimated Lead Time: 4 months
- Materials
- Leather
- Wood
- Color
- Green
- Description
-
Armchairs designed by pierre jeanneret circa 1950, relaunched in 2019. Manufactured by cassina in italy. Included in unesco’s 2016 cultural …
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Armchairs designed by pierre jeanneret circa 1950, relaunched in 2019. Manufactured by cassina in italy. Included in unesco’s 2016 cultural heritage list, the extraordinary architecture of le corbusier’s capitol complex, designed by chandigarh in 1951, has received accolades for its celebration of an independent nation open to modernity. The haute cour, along with the secretariat and the assemblée wing, make up the core of chandigarh’s capitol complex. The rooms were filled with overstuffed armchairs, all exhibiting the same “v” support structure theme. The only exposed wooden parts are the rests, connecting crossbars, and the external joints between the arms and the backrest. The armrests’ padding almost completely envelops them, creating the outline of a rounded, geometric shape, that along with the distinct seat and back cushioning, offer an immediate sense of comfort without abandoning their elegance and simplicity. These product is a tribute to pierre jeanneret, a key figure in the realization of chandigarh. His experience in india lasted until the end of his days in 1967. His close and continuous contact with the local territory led him to combine essential forms with simple materials to create a meeting point between modern european ideals and the traditional indian spirit. The chandigarh project is considered le corbusier’s most mature work that summarises his poetics, technique and ideology, consistent with his will to research and contribute to the culture of architecture and design. Materials: wood leather padding: polyurethane foam dimensions: d: 76 cm w: 69 cm h: 74 cm seat height: 37 cm about the designer: though overshadowed by his cousin le corbusier, pierre jeanneret was a visionary of modernist architecture and design. Together, the pair pioneered a new aesthetic vocabulary that placed function and order over embellishment—jeanneret work imbuing the strict geometry of modernism with energetic diagonals and lighter materials like cane and wood. A consistent innovator, he collaborated with charlotte perriand on experiments in aluminum and wood, and developed prefabricated housing with jean prouvé. In the early 1950s jeanneret joined his cousin in chandigarh, india, where they embarked on a massive urban-planning project, laying out the city and designing low-cost buildings and furniture. Though corbusier abandoned the project halfway through, jeanneret remained for 15 years as the project’s chief architect. The city remains a masterpiece of the modern vision. About the manufacturer: in a continuing dialogue between past, present, and future, cassina has created the i maestri collection, revisiting furnishing designs by the twentieth century’s best-known architects, including le corbusier, pierre jeanneret, charlotte perriand, charles rennie mackintosh, gerrit thomas rietveld, franco albini, frank lloyd wright and marco zanuso. While the designs and functional concepts have been precisely preserved, the models have been manufactured using evolved technology. This is also the company that has manufactured iconic pieces of contemporary design from the 50’s to the present day, ideated by some of the most important international designers. Today cassina continues to look to the future of design with audacious, passionate curiosity and an open, holistic approach. It affirms its exclusive ability to furnish a home’s living and dining spaces completely and iconically with the cassina perspective: a concept, a philosophy, an informed, futuristic thought. A detailed, expansive horizon of combinations; when placed together, the products have an innovative soul and the modern icons create authentic, welcoming, personal atmospheres involved in a conversation dominated by a code of design excellence, formal sensitive awareness, solidity and cultural authority. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity
issues arising from misattribution less
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