Roma, IT
Details
- Dimensions
- 8.66ʺW × 0.39ʺD × 6.3ʺH
- Item Type
- Vintage, Antique or Pre-owned
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- Condition
- Unknown, Some Imperfections
- Color
- Condition Notes
- Very Good — This vintage item has no defects, but it may show slight traces of use\. Please note that … moreVery Good — This vintage item has no defects, but it may show slight traces of use\. Please note that an additional handling period of up to 4 weeks may apply to this item less
- Description
- Shono is an original modern artwork realized after Utagawa Hiroshige (1797 – 12 October 1858) in the 20th Century. Woodcut … more Shono is an original modern artwork realized after Utagawa Hiroshige (1797 – 12 October 1858) in the 20th Century. Woodcut Print Oban Yokoe Format. Reprint in the mid 20th Century. After the great Tokaido series, the station Shono, the most famous sheet of the series, palanquin bearer in the rain in front of bamboo forest. Commissioned by Fujikake Shizuya and Takahashi Seiichiro, wood engraver Maeda Kentaro, printer Itakura. Edition with cover in English and Japanese "An outstanding print in the Tokaido Series. Today this station is on the branch line between Yokkaichi and Kameyama. Excellent impression, glued at upper corners. Utagawa Hiroshige, born Ando Hiroshige (1797 – 12 October 1858), was a Japanese ukiyo-e artist, considered the last great master of that tradition. Hiroshige is best known for his horizontal-format landscape series The Fifty-three Stations of the Tokaido and for his vertical-format landscape series One Hundred Famous Views of Edo. The subjects of his work were atypical of the ukiyo-e genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603–1868). The popular series Thirty-six Views of Mount Fuji by Hokusai was a strong influence on Hiroshige's choice of subject, though Hiroshige's approach was more poetic and ambient than Hokusai's bolder, more formal prints. Subtle use of color was essential in Hiroshige's prints, often printed with multiple impressions in the same area and with extensive use of bokashi (color gradation), both of which were rather labor-intensive techniques. less
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