Mid-Century Blue Glazed Ceramic Ashtray by Aldo Londi for Bitossi, Italy, 1960s

Description

Beautiful and large round Mid-Century ashtray in blue glazed ceramic (Rimini Blu). This amazing piece was designed by Aldo Londi … more Beautiful and large round Mid-Century ashtray in blue glazed ceramic (Rimini Blu). This amazing piece was designed by Aldo Londi and produced by Bitossi in Italy during 1960s. This item is unique as it is handcrafted with a superb hand carved geometric design in vibrant turquoise and cobalt blue. An amazing ceramic ashtray that will complete a Mid-Century style living room or studio. Diameter is 26 cm. Master ceramist Aldo Londi (1911-2003) spent the most of his long and successful career creating exceptional work for Italian ceramics manufactory Bitossi Ceramiche. Londi’s hometown just outside of Florence, Montelupo Fiorentino, has been an important center for pottery production since the Renaissance. In 1922, at the age of eleven, Londi started working for Fratelli Fanciullacci, the region’s premier ceramics workshop at the time. Following World War II—upon returning to Italy from South Africa, where he was a prisoner of war—Londi became Bitossi’s Creative Director. He would hold this position for more than 50 years and would design over 1,000 objects—ranging from jugs and vases to clocks and animal figurines. Londi employed his high-level technical expertise and vast experience in traditional artisanal methods to create distinctively expressive and whimsical forms, patterns, and finishes. Londi’s best-known collection is the 1950s-era Rimini Blu (1955-1965), a now-iconic Mid-Century Modern series encompassing over 150 designs, all glazed in vibrant blue and embossed with abstract motifs and shapes. Londi created Ball Vase, his first piece in Persiano Blue, in 1955. Not long after in 1959, he began to create more pieces in this proprietary chromatic finish. The collection holds historical importance because it helped to bring handcrafted works into the modernist design conversation in Italy. Although blue was not the only color Londi utilized, it has become closely associated with his oeuvre. Londi’s last solo collection, Arkitectura (circa 1950s), was very different from his earlier work; it features elegantly minimalistic animal figures glazed in monochromatic black, white, or platinum. Starting in 1958, Londi began a fruitful collaboration with legendary architect-designer Ettore Sottsass (1917-2007), who considered Londi to be an important mentor. During his time at Bitossi, Londi also collaborated with Piero Fornasetti (1913-1988), Matteo Thun (b. 1952), and Karim Rashid (b. 1960). Most of Londi’s collections, including the Rimini Blu and Akitectura, are still in production today and are widely collected by ceramics enthusiasts. Many of his original works can be seen at the MAIB–Artistic Industrial Bitossi Museum in Montelupo, which is dedicated to the history of the company. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity



issues arising from misattribution less