Details
- Dimensions
- 24.8ʺW × 0.39ʺD × 18.5ʺH
- Art Subjects
- Abstract
- Period
- 1950s
- Item Type
- Vintage, Antique or Pre-owned
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- Condition
- Good Condition, Unknown, Some Imperfections
- Color
- Condition Notes
- Very Good — This vintage item has no defects, but it may show slight traces of use\. Please note that … moreVery Good — This vintage item has no defects, but it may show slight traces of use\. Please note that an additional handling period of up to 4 weeks may apply to this item less
- Description
- Donne ai telai is an original artwork realized by Massimo Campigli in 1952. Hand signed in pencil on the lower … more Donne ai telai is an original artwork realized by Massimo Campigli in 1952. Hand signed in pencil on the lower right margin; ''prova'' is written in pencil on the lower left margin. Very good conditions. The colored lithograph represents several female figures into some frameworks. The figures are stylized and each of them has a loom in front of her. The female bodies are typical of Campigli style. They have hourglass shapes and their faces recall classical sculptures. Massimo Campigli (Berlino, 1895 - Saint-Tropez, 1971) was an Italian painter. In 1921, he participated in the Salon d'Automne with the painting ''L'arrotino''. In 1922, Leonce Rosenberg, a famous Parisian merchant and dealer, bought some artworks of the artist. In 1926, Campigli exhibited at the ''First exhibition of Novecento'' in Milan. In 1927, he could live with his paintings: he exhibited in Paris, Zurich, Dresda and Amsterdam. He took inspiration from Etruscan art for his artworks. In 1961, an important monograph was published in Paris, its name was ''Les idoles de Campigli'' by Andrè Chastel; some years later he was appointed Academician of San Luca. Campigli served as a foreign correspondent in Paris in 1919 before joining the “Paris Italians” artist group that also included the artists Gino Severini and Giorgio de Chirico. This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an artist who has died requires a licence for export regardless of the work’s market price. The shipping may require additional handling days to require the licence according to the final destination of the artwork. less
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