Details
- Dimensions
- 19.29ʺW × 0.39ʺD × 13.78ʺH
- Art Subjects
- Figure
- Period
- 1960s
- Item Type
- Vintage, Antique or Pre-owned
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- Condition
- Good Condition, Unknown, Some Imperfections
- Color
- White
- Condition Notes
- Very Good — This vintage item has no defects, but it may show slight traces of use\. Please note that … moreVery Good — This vintage item has no defects, but it may show slight traces of use\. Please note that an additional handling period of up to 4 weeks may apply to this item less
- Description
- Image dimensions: 25.4 x 34.7 cm. Una giornata in collina is a beautiful black and white etching on paper, realized … more Image dimensions: 25.4 x 34.7 cm. Una giornata in collina is a beautiful black and white etching on paper, realized in 1966 by the Italian artist, Renzo Biasion. Titled on plate on higher margin at the center, dated and signed on plate on higher right margin with autograph notes in Italian etched on plate. Numbered in Arabic numerals and in pencil on lower left margin. From an edition of 100 prints. Hand-signed in pencil on lower right margin. Representing some big poppy and the fauna of the hill and etching with full mastery of the technique, this original print, in excellent conditions, is a very nice piece to collect at home or to present! Renzo Biasion (Treviso, 1914 - Florence, 1996) Born in Treviso in 1914, he moved to Venice where he graduated from the local art school and taught drawing in secondary schools. In 1940, when Italy entered World War II, he fought on the Greek-Albanian front as a second-lieutenant in the infantry and began writing a war diary that would then be lost. After the Greek campaign, he was transferred, with the German troops, to Crete. With the announcement of the armistice of 8 September 1943 and the disbanding of the Italian army, he was taken prisoner by the Germans and sent to concentration camps first in the Netherlands, then in Poland and Germany. During his imprisonment, he made drawings of the lager and portraits from life of Italian and German soldiers, he also began writing a prison diary. In 1944, he managed to escape and returned to Italy. After the war, Biasion resumed teaching and exhibited some works in a Venetian art gallery, arousing the appreciation of the poet and essayist Sergio Solmi. The tragic experiences of war and imprisonment are transfused in writings, drawings, paintings and engravings. He also began composing a series of stories, equally inspired by the memories of war, which would give life to Sagapò, a novel that Elio Vittorini had printed in Einaudi's I Gettoni collection in 1953. And it is in Sagapò (in Greek I love you), his most famous literary work, that the Mediterranean film inspired to, directed in 1991 by Gabriele Salvatores, winner of the Oscar for best foreign language film in 1992. There are numerous collaborations as an art and literary critic in periodicals such as Il Verri, Le Vie d'Italia, newspapers: Gazzetta del popolo, Il Resto del Carlino, Corriere d'Informazione. On the weekly paper Oggi, he edited an art column for thirty-five years. This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an artist who has died requires a licence for export regardless of the work’s market price. The shipping may require additional handling days to require the licence according to the final destination of the artwork. less
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