Details
- Dimensions
- 6.69ʺW × 2.76ʺD × 9.06ʺH
- Styles
- Postmodern
- Designer
- Ettore Sottsass
- Period
- Early 21st Century
- Country of Origin
- Spain
- Item Type
- Vintage, Antique or Pre-owned
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- Materials
- Ceramic
- Condition
- Good Condition, Unknown, Some Imperfections
- Color
- Black
- Condition Notes
- Good — This vintage item remains fully functional, but it shows sign of age through scuffs, dings, faded finishes, minimal … moreGood — This vintage item remains fully functional, but it shows sign of age through scuffs, dings, faded finishes, minimal upholstery defects, or visible repairs\. Wear consistent with age and use. less
- Description
-
Black Shiva ceramic vase designed by Ettore Sottsass circa 1973, edited by BD in Barcelona. This piece has been produced …
more
Black Shiva ceramic vase designed by Ettore Sottsass circa 1973, edited by BD in Barcelona. This piece has been produced as a limited edition with a total of only 100 units. This is Prototype 2 of 8. Comes with a signed "Certificate of Authenticity". In good original condition, with minor wear consistent with age and use, preserving a beautiful patina. In 2005, two years before Sottsass’ death, a gold prototype was made and was an award for an international competition for students of design. Ettore Sottsass (14 September 1917-31 December 2007) was an Italian architect and designer of the late 20th century. His body of designs included furniture, jewelry, glass, lighting and office machine design. Sottsass was born on 14 September 1917 in Innsbruck, Austria, and grew up in Milan, where his father was an architect. In 1956, Ettore Sottsass began working as a design consultant for Olivetti, designing office equipment, typewriters and furniture. Sottsass was hired by Adriano Olivetti, the founder, to work alongside his son, Roberto. There Sottsass made his name as a designer who, through color, form and styling, managed to bring office equipment into the realm of popular culture. Sottsass, Mario Tchou, and Roberto Olivetti won the prestigious 1960 Compasso d’Oro with the Elea 9003, the first Italian mainframe computer. In 1968, the Royal College of Art in London granted Sottsass an honorary doctoral degree. Whilst the Memphis movement in the 1980s attracted attention worldwide for its energy and flamboyance, Ettore Sottsass began assembling a major design consultancy which he named Sottsass Associati. The studio was established in 1980 and gave the possibility to build architecture on a substantial scale as well as to design for large international industries. Sottsass Associati, primarily an architectural practice, also designed elaborate stores and showrooms for Esprit, identities for Alessi, exhibitions, interiors, consumer electronics in Japan and furniture of all kinds. The studio was based on the cultural guidance of Ettore Sottsass and the work conducted by its many young associates, who often left to open their own studios. Sottsass Associati is now based in London and Milan and continue to sustain the work, philosophy and culture of the studio. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity
issues arising from misattribution less
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