Kirchlengern, DE
Details
- Dimensions
- 4.33ʺW × 4.33ʺD × 6.69ʺH
- Period
- 1970s
- Country of Origin
- Germany
- Item Type
- Vintage, Antique or Pre-owned
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- Materials
- Stoneware
- Condition
- Good Condition, Unknown, Some Imperfections
- Color
- Beige
- Condition Notes
- Very Good — This vintage item has no defects, but it may show slight traces of use. Very Good — This vintage item has no defects, but it may show slight traces of use. less
- Description
-
Ceramic object, lid can Designer and producer: Wendelin Stahl, Klotten/Mosel, Germany Information: Wendelin Stahl 1922-2000 Decade: 1970s This original vintage …
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Ceramic object, lid can Designer and producer: Wendelin Stahl, Klotten/Mosel, Germany Information: Wendelin Stahl 1922-2000 Decade: 1970s This original vintage studio object lid can was designed by Wendelin Stahl and produced in their own Studio in the 1970s in Burg Coraidelstein, Germany. It is made of pottery ceramic and has a very unique beige, light blue etc. coloration and craquele surface structure. The bottom is marked with typical Stahl Producer signature. A very collectible and very rare item of the Stahl Collection. The object has a very sculptural form and in its size of 17cm in height, it is very impressive. Straightforward and minimalistic design of the 1970s design era. This item is a wonderful addition to every modern home. Dimensions: Height 17cm Diameter 11cm Condition: This item is in a very good vintage condition with patina. Vita stahl: The ceramist, who was born into a potter family in Höhr-Grenzhausen on 20.4.1922, was also apprenticed to Kunow & Drossé in 1938-1939. After the war, he continued teaching in his father's company and worked from 1952 together with Else Harney in the joint workshop on the Coraidelstein Castle at Klotten on the Moselle. Else Harney died in 1984. For many of the ceramists who studied ceramics at the academies and in the workshops in the seventies and eighties, Wendelin Stahl was a model in the way of the formal manufacture of his vessels as well as in the balance and color power of the luminous glazes. His perfect feldspar glazes, often applied in several layers, in the variants green, blue, white with pink or red, his delicate celadon, the deep red ox blood or the delicately blue, always mystery-ridden Clair de Lune were not common practice at the time. The crystal glazes Wendelin Stahls were technically perfect. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity
issues arising from misattribution less
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