SAINT-OUEN, FR
Details
- Dimensions
- 19.69ʺW × 1.18ʺD × 28.74ʺH
- Art Subjects
- Still Life
- Period
- 1950s
- Country of Origin
- France
- Item Type
- Vintage, Antique or Pre-owned
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- Condition
- Good Condition, Restored, Some Imperfections
- Color
- Red
- Condition Notes
- Completely Restored Completely Restored less
- Description
-
Very beautiful oil on canvas representing a still life "the bouquet of flowers in a pitcher on a red background". …
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Very beautiful oil on canvas representing a still life "the bouquet of flowers in a pitcher on a red background". Entirely cleaned in the respect and the artisanal know-how.
Perfectly displayed in a very nice American box.
Period : XXth century
Dimensions : H :73 x W :50cm
Signature on the bottom right
Albert Deman, born in January 1929, in Bousbecque, commune of the North, just separated from Belgium by the river Lys, is still a child when with his parents and his sister, he is thrown on the roads of the exodus.
Nevertheless, he had already had time to be noticed by the members of a drawing academy in Roubaix who made him the winner of their competition.
In 1945, he was a student in sculpture at the Ecole des Beaux-Arts in Lille, and at the Ecole des Beaux-Arts in Nantes in 1946.
After 1971, he settled in La Rochelle. He appeared in Paris at the Salon des Peintres témoins de leur temps from 1957 to 1960.
He divided his work into periods: from 1956 to 1957, the so-called Chicago period, from 1971 to 1972, the period of the pear trees, 1978, the "Mobilist" period, 1979 to 1983, the period of pastels, 1984, the period of copper engravings, 1984-85, the period of the Maghreb.
Thus, Albert Deman's production can be divided stylistically. In a period encompassing his 1950s, he was influenced by the griffin mannerism of Carzou and even in the choice of scenes: Bruges-La Rochelle.
In the 1960s-70s, the writing is more temperate. Finally, in the 1980s, and especially in the Maghreb period, his natural skill is unleashed in very colorful watercolors whose subjects blend in at the limit of lyrical abstraction.
He is referenced in the Bénézit (reference dictionary of painters, sculptors, drawers and engravers from all over the world, launched in 1911 in Paris).
His career as a painter began with a bang. Very quickly his paintings were found in the greatest Parisian galleries before being sent all over the world. His immense gift for pastels was also quickly noticed and acclaimed.
This piece has an attribution mark,
I am sure that it is completely authentic and take full responsibility for any authenticity
issues arising from misattribution less
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