German Ceramic Studio Pottery Vase by Gerhard Liebenthron, 1980s, Set of 2

Description

Article: Ceramic stoneware object set of 2 Designer and producer: Gerhard Liebenthron Information: Gerhard Liebenthron, Bremen 1925-2005 Decade: 1970s and … more Article: Ceramic stoneware object set of 2 Designer and producer: Gerhard Liebenthron Information: Gerhard Liebenthron, Bremen 1925-2005 Decade: 1970s and 1980s This original vintage Studio Pottery Object was designed by Gerhard Liebenthron and produced in his own Studio in the 1980s in Bremen Germany. It is made of stoneware pottery ceramic and has a very unique brown, black and blue, black coloration and surface structure. The bottom is marked with typical Liebenthron Producer signature GL and year signature 82 and 84. Very collectible and very rare items of the Liebenthron Collection. Both vases have a very special and unique surface coloration, one of a kind handmade product and very collectible. Straightforward and minimalistic design of the 70s and 80s design era. This item is a wonderful addition to every modern home. Dimensions: Left: Height 9cm Diameter 11 cm. Right. Height 8cm Diameter 8cm. Condition: This item is in a very good vintage condition with patina. VITA Liebenthron: From 1945-1951 Liebenthron studied at the Staatliche Kunstschule Bremen (school of arts) in the pottery class of Else Krieg & Dorothea Colberg-Tjadens. In 1951 Liebenthron has been the Assistant of the sculptor Prof. Goersemann there. After Liebenthron finished his time at the Kunstschule he opened his own workshop in the Boettcherstraße, Bremen (in 1952). Gerhard Liebenthron's work can be found in several museums in Germany. The Keramik Museum in Berlin, the Fockemuseum in Bremen and the Hetiens Museum in Düsseldorf for example. He has been a member of the Arbeitsgemeinschaft Kunsthandwerk Bremen. Lit: Keramik Gerhard Liebenthron, Gerhard Liebenthron und Fockemuseum Bremen, Bremen, 1968. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity



issues arising from misattribution less