Details
- Dimensions
- 33.46ʺW × 0.79ʺD × 37.4ʺH
- Period
- Early 21st Century
- Item Type
- Vintage, Antique or Pre-owned
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- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Black
- Condition Notes
- New — This is a new (unused) item of contemporary design. New — This is a new (unused) item of contemporary design. less
- Description
-
Sold with wooden frame in black color or others: 100 x 90 x 5 cm - 39,4 x 35,4 x …
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Sold with wooden frame in black color or others: 100 x 90 x 5 cm - 39,4 x 35,4 x 1,9 in ed. 1/7 photographer since 1995, moving from reporting to the studio, from fashionable advertising, eclectic photographer and touches everything. The subject of water and the sea remains a photographic theme treated by many photographer, here olivier attar makes a link between earthly and the divine. Water is a vital element for humanity, without water we would not be……\. Water is constantly moving, life is in motion, photography is in motion, this static sensation is only illusory, and there are things we cannot see while they are there in motion. These images of bridges is the symbolism of the movement, he let your imagination open to what it speaks to you. The artist is giving you in this exhibition my vision, my work and my implication on the world through this element “ô”. World that we mistreat, and that can be threatening, mysterious and unpredictable as wonderful and peaceful. The choice of support and my presentation leaves you to think of painting, photography is both a revealing medium but also illusory. Everyone has his story, his education, his experiences and everyone has his imagination. To let you believe in painting is here, a hoax, a fun and a proof that the truth what we see needs to be worked and thoughtful. The technique of long exposure allows us to capture what is hidden from us for 30 seconds to 5 minutes and the nature reveals itself, the eye sees only what is immediate, the photograph reveals what hid us. Olivier attar specifies that the image has undergone very few changes; there is no particular editing, the photographs were all taken at night. 1995: early career as a reporter photographer 2013: setting up in and original way of exhibitions on the theme "interior exterior" (the divine and the terrestrial) 2014: installation of a waterfront exhibition on the theme of "water" title "ô" 2016: exhibition art shopping cannes « ô » 2017: exhibition art fair antibes« ô » 2017: exhibition « les gouteurs du roi » les etoiles de mougins 2017: exhibition art shopping paris le louvre« ô » 2018: exhibition « les gouteurs du roi » les etoiles de mougins 2018: exhibition « les gouteurs du roi » le salon du design et des arts de la table « antibes » 2018: exhibition art fair antibes« ô » 2018: exhibition ô « salon d'automne – champs elysée- paris » 2019: exhibition art fair antibes« ô » 2019: exhibition mougins « ô » 2019: exhibition «galerie etienne de causan » paris this piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity
issues arising from misattribution less
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