London, GB
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- Dimensions
- 24.02ʺW × 1.97ʺD × 29.92ʺH
- Art Subjects
- Figure
- Item Type
- Made to Order
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- Description
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night scene ' 2005 oil on canvas 76 x 61 cm signed on reverse by artist. Unique work. About the …
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night scene ' 2005 oil on canvas 76 x 61 cm signed on reverse by artist. Unique work. About the artist : katherine russell is a london based painter. Her current body of work seeks to deconstruct our daily encounter with media images. From war zones to deserts, from solitary figures to candle-lit night markets, her choice of source material is indiscriminate of specific content, yet resonant with the unfamiliar and unsettling nature of our media-driven age. Education: 2014-15 ma fine art painting; city and guilds london art school 99-02: ba (hons) fine art degree; university of northumbria at newcastle 98-99: btec diploma foundation studies in art and design; wimbledon school of art and design selected exhibitions: 2019 made in britain 82 painters of the 21st century, the national museum gdańsk, poland, 14 march - 2 june contemporary british painting an exhibition of 34 painters, the hostry, norwich cathedral, norwich, 25 april - 16 may disposition summer salon 1, bermondsey project space, london, march 2018 contemporary masters from britain, tianjin academy of fine arts museum, china 2017 contemporary masters from britain, jiangsu provincial art museum, nanjing, china anything goes contemporary british painting, art bermondsey project space, london july - august contemporary masters from britain, yantai art museum, china contemporary masters from britain, jiangsu museum of arts and crafts (artall), nanjing, china 'why not art' launch event, the clock, marylebone, london, march 2017 2016 30x30x34, contemporary british painting, the crypt, st marylebone church, november 2016- january 2017 highly commended artist; the ashurst emerging artist prize 2016, showcase exhibition july – december 2016 contemporary british painting summer exhibition, quay arts, isle of wight, july – october 2016 shortlisted artists; the ashurst emerging artist prize 2016, london, may- june rising stars 2016, lloyds register, 71 fenchurch street, london, feb- march 2015 contemporary british painting, the crypt, st marylebone church, london, nov- jan 2016 recent graduates 2015, affordable art fair, battersea park, london, october ma show, city & guilds london art school, september summer salon, lubomirov/ angus hughes gallery, august. Documentary realism: painting in the digital age, st marylebone crypt, london, march 16/15, group exhibition, the muse, portobello road, london, february priseman seabrook collection of 21st century painting, huddersfield art gallery, november- march @ paint britain, ipswich museum, november 2014 - march 15 2014 'the girl who wasn't there.' solo show, a&d gallery, 51 chiltern street marylebone, london, june 'home,' the crossley gallery, dean clough, halifax, june - september 2013 group show, contemporary british painting, the crypt, st marylebone church, london, december-january 'passing through.' solo show, contemporary british painting, the crypt, st marylebone church, london, september press/print literature: made in britain 82 painters of the 21st century, catalogue contemporary masters from britain, china touring show, catalogue ma show, city & guilds london art school, catalogue documentary realism: painting in the digital age accompanying catalogue & essay collection, 2015 @paintbritain, ipswich art gallery, artlyst review, 2015 priseman seabrook collection of 21st century painting catalogue & yorkshire art press article, 2015 the girl who wasn’t there, marylebone magazine, 2014 awards: shortlisted for the ashurst emerging artist prize 2016 selected for rba rising stars 2016 selected for recent graduates 2015 collections: work held in the priseman seabrook collection of 21st century painting and in private collections in the u.k, france, spain, america and australia. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity
issues arising from misattribution less
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