Details
- Dimensions
- 9.45ʺW × 0.39ʺD × 9.06ʺH
- Styles
- Contemporary
- Art Subjects
- Abstract
- Period
- 2000 - 2009
- Item Type
- Vintage, Antique or Pre-owned
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- Materials
- Concrete
- Paper
- Condition
- Good Condition, Unknown, Some Imperfections
- Color
- White
- Condition Notes
- Very Good — This vintage item has no defects, but it may show slight traces of use\. Please note that … moreVery Good — This vintage item has no defects, but it may show slight traces of use\. Please note that an additional handling period of up to 4 weeks may apply to this item less
- Description
-
Mottetti is an original Contemporary artwork realized by the Italian Contemporary artist Achille Perilli (Rome, b.1927) in 2002. Original etching …
more
Mottetti is an original Contemporary artwork realized by the Italian Contemporary artist Achille Perilli (Rome, b.1927) in 2002. Original etching on Arches Velin Blanc paper. Hand-signed and dated in pencil by the artist on the lower right corner: Perilli 2002. Numbered, on the lower left from the edition of 50 prints. Titled on the lower center. With the paper of description Very good conditions. Achille Perilli (Rome, 1927) is an important Italian contemporary artist. In 1945, Perilli enrolled at the faculty of Literature of the University of Rome, where he graduated with a thesis on De Chirico. In 1947 he was among the founders of “Forma 1” group, one of the most influential art collectives to emerge from Post World War II Italy. In the late 1940s Perilli joined the Concrete Art Movement (MAC), arranged for a publication of “Forma 2 – Homage to Kandinsky,” and created the exhibition “Abstract and concrete art in Italy.” Perilli has made important contributions to Italian art since the 1940’s. He has shown his work in highly accredited spaces such as the Venice Bienalle, the Stedelijk Museum of Amsterdam, and the Gallery Tega of Milan. Recently, he has had major exhibitions in Darmstadt, Belgrade, and Milan, and in 2019 a solo exhibition of his work was presented at the Hermitage Museum in St. Petersburg. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity
issues arising from misattribution less
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