San Francisco, CA
Details
- Dimensions
- 9.75ʺW × 0.01ʺD × 12.85ʺH
- Styles
- Impressionist
- Art Subjects
- Landscape
- Frame Type
- Unframed
- Period
- 1940s
- Item Type
- Vintage, Antique or Pre-owned
Shop Sustainably with Chairish
- Materials
- Etching
- Condition
- Good Condition, Unknown, Some Imperfections
- Color
- Antique White
- Condition Notes
- Excellent Excellent less
- Description
-
This artwork "Deux Filles (Two Girls) c.1940 is an etching on Wove paper after French artist Marie Laurencin, 1883-1956. It …
more
This artwork "Deux Filles (Two Girls) c.1940 is an etching on Wove paper after French artist Marie Laurencin, 1883-1956. It is unsigned as issue. This is a posthumous impression from the canceled plate. The image size is 4.75 x 5.5 inches, plate mark size is 9 x 5.5 inches, sheet size is 12.85 x 9.65 inches. It is in excellent condition.
About the artist:
Marie Laurencin, intimate of Braque, Picasso, Matisse and Appollinaire, was born in 1883. She held a celebrated place in the early part of the 20th century during a period when Art exploded with genius. She lived in the Montmartre District of Paris and became part of the circle revolving around the Steins. Though her early portraits show the imprint of the Fauves and Cubists, her romantic and delicate temperament asserted itself against these schools.
She was prim, conservative and always wore a kitchen apron when she painted. She had a celebrated love affair with Guilliame Appollinaire, great French modern critic, but was never able to marry him because of demands of her domineering mother. Called the 'muse' by her fellow painters, her works are loved for their fragile beauty. Though they may be feminine in subject and execution, the distortion of form and the simplicity of expression mark her for a Modern Master.
Girls, pretty girls, were the subject of practically all Laurencin's oils. She painted girls in all kinds of poses and all had her personal mark, smooth young faces, pale skin and dark eyes. Her early work was not easily accepted; it showed the influence of Toulouse-Lautrec and of cubism. World War I took her out of the Paris circle for a while; she married a German painter, Otto von Waetjen, and they were forced to leave France. They lived in Spain, then she got a divorce and returned to Paris. In her later years, she became almost a hermit, although mothers with daughters in tow still came to her. She died in 1956.
Art Gallery of New South Wales, Sydney, Australia
Art Institute of Chicago
Chi-Mei Museum, Taiwan
Cleveland Museum of Art
Dallas Museum of Art
Fine Arts Museums of San Francisco
Hermitage Museum, St. Petersburg, RussiaIndianapolis Museum of Art
Los Angeles County Museum of Art
Musé d’Orsay, Paris
Musée Marie Laurincin, Tokyo
Museu de Arte de Sao Paolo, Brazil
Museum of Fine Arts, Boston
Museum of Modern Art, New York
National Museum of Women in the Arts, Washington, D.C.
Philadelphia Museum of Art
Tate Gallery, London less
San Francisco, CA
Questions about the item?
Featured Promoted Listings
Related Collections
- 1800s Oil Paintings
- Abstract Sailboat Paintings
- Abstract Horse Paintings
- Abstract Nude Paintings
- Abstract Acrylic Paintings
- Abstract Vase Paintings
- Chinese Glass Paintings
- Chinese Silk Paintings
- Styrofoam Paintings
- Abstract Autumn Paintings
- Pierre-Auguste Renoir Paintings
- Irving Amen Paintings
- Daylight Dream Editions Paintings
- Brass Finish Paintings
- Associated American Artists Paintings
- Classical Roman Paintings
- Byzantine Paintings
- Classical Greek Paintings
- Molly Frances Paintings
- Abstract Apple Paintings
- Abstract Palm Tree Paintings
- Angel Oil Paintings
- Black Abstract Paintings
- Lee Reynolds Paintings
- Mid-Century Modern Paintings