1970s Abstract Geometric Screenprint by Richard Smith, CBE

Description

Artist: Richard Smith, CBE (1931-2016) British
Title: Untitled Abstract Grid
Date: 1972
Medium: Serigraph (screenprint)
Sheet size: 29.5 in x … more Artist: Richard Smith, CBE (1931-2016) British
Title: Untitled Abstract Grid
Date: 1972
Medium: Serigraph (screenprint)
Sheet size: 29.5 in x 22 in
Framed size: 36.75 x 28.25 inches
Edition: 70. This one: 7/70
Signature: Signed, dated, numbered lower left
Frame: In Plexiglas box, floating on linen mat

This richly colored serigraph is an abstract composition with a grid pattern. The print is in very good condition, archivally mounted to a non-acid base sheet which in turn is mounted to the linen mat. The print is full bleed and therefore is floating on the mat. The Plexiglas box is in good condition with a few tiny pits. I can also ship the print alone, without the mat and frame. I can also ship the print alone, without the mat and frame. The cost of the print will be less. The cost of shipping will be much less. Email me for quotes.

Richard Smith was one of the most influential artists of his generation. After studying in the 1950s at the Royal College of Art alongside artists such as Peter Blake and Robyn Denny, Smith stood apart from the burgeoning Pop Art movement of the 1960s by melding the slick and vibrant imagery found in the commercial landscape with an expansive abstract painting language very much his own. He gained critical acclaim for extending the boundaries of painting into three dimensions, creating sculptural shaped canvases with monumental presence, which literally protruded into the space of the gallery. Titles such as Panatella and Revlon and colours drawn from the cosmetics industry alluded to the synthetic landscapes of urban America which had come to dominate the consumer imagination. In 2014, the art historian Marco Livingstone wrote how “Smith’s joyful embrace of glamour and prismatic colour after the grey decade and a half of post-war austerity, brought him within the orbit of Pop Art at its very inception and assured him an important place in its early history.”

Born in Hertfordshire in 1931, Richard Smith was awarded the prestigious Harkness Fellowship in 1959 which facilitated his move to New York, where he had his first solo show at Green Gallery. While still in his thirties Smith had a 1966 retrospective at the Whitechapel Gallery and participated in some of the most important exhibitions of his time, such as Place at the ICA in 1959; Situation at RBA Galleries in 1960; and Painting and Sculpture of a Decade at Tate in 1964. After being awarded the Grand Prize at the 9th São Paulo Biennial in 1967 and participating in Documenta IV, Kassel in 1968, Smith represented Britain at the 1970 Venice Biennale and was awarded the CBE in 1971. Seven Exhibitions 1961-75, a major retrospective, was held at Tate in 1975.

Smith's work is extensively held in public collections including the Arts Council England; The British Museum, London; Metropolitan Museum of Art, New York; the Museum of Modern Art, New York; Tate, London; Victoria and Albert Museum, London; Walker Art Center, Minneapolis; the Whitney Museum of American Art, New York; MIT, Boston; and Philadelphia Museum of Art. Source: NY Times Obituary

NY Times ObituaryRichard Smith, CBE less