Yvonne Kracht, Earth, 1963, Oil on Canvas

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Yvonne Kracht's 1963 painting *Aarde* exemplifies her transition from abstract expressionism to geometric abstraction. The composition features textured hues of … Read more Yvonne Kracht's 1963 painting *Aarde* exemplifies her transition from abstract expressionism to geometric abstraction. The composition features textured hues of deep brown, black, and muted beige, arranged in tight geometric shapes reminiscent of machine parts. This work reflects Kracht's interest in combining rational structures with emotional expression, a hallmark of her evolving style during the early 1960s.Born in Rotterdam in 1931, Kracht spent her formative years in Brussels before studying at the Royal Academy of Art in The Hague (1948–1951) and the National Higher Institute for Fine Arts in Antwerp (1952–1953). After settling in Amsterdam in 1953, she became associated with the *Liga Nieuw Beelden*, a group of artists dedicated to exploring new visual languages in post-war Europe. Kracht's work during this period aligns with the broader Constructivist movement, sharing affinities with artists like Max Bill and Georges Vantongerloo, who emphasized clarity of form and mathematical precision.In the 1960s, Kracht's focus shifted towards creating three-dimensional objects and monumental sculptures in materials such as Corten steel and aluminum. Her public artworks, including *Uit de driehoek* in Utrecht and *Uit het vierkant* in Lelystad, demonstrate her commitment to integrating art into urban environments. Kracht's exploration of geometric forms and her contributions to public art have solidified her reputation as a significant figure in Dutch modernism.*Aarde* is a testament to Kracht's ability to merge geometric rigor with textured depth, reflecting the dynamic art scene of the 1960s and her unique position within it. This piece has an attribution mark,
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