Details
- Dimensions
- 20.08ʺW × 1.57ʺD × 17.32ʺH
- Art Subjects
- Figure
- Country of Origin
- Netherlands
- Item Type
- Vintage, Antique or Pre-owned
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- Condition
- Unknown, Some Imperfections
- Color
- Condition Notes
- Very Good — This vintage item has no defects, but it may show slight traces of use. Very Good — This vintage item has no defects, but it may show slight traces of use. less
- Description
-
Martin borgord (1869-1935), norwegian-born american painter, active in the united states, france and holland. "bather", post-impressionist style, oil on panel …
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Martin borgord (1869-1935), norwegian-born american painter, active in the united states, france and holland. "bather", post-impressionist style, oil on panel signed lower right and dedicated to madame merlet.
martin borgord was born february 8, 1869 in guasdal, norway and died march 25, 1935 in riverside, california.
by the age of 16, borgord was residing in san francisco and enrolled to study with virgil macey williams (1830-1886) at the san francisco art association school of design. Interested in both painting and sculpture, borgord went to paris. He was accepted to study at the académie julian with jean-paul laurens and at the académie des beaux-arts with the sculptor charles raoul verlet. In 1896, martin borgord returned to new york and enrolled at the new chase school of art (later renamed the new york school of art) with william merritt. In 1899, the influential art dealer william macbeth, dedicated to the cause of promoting american art, represented borgord in new york. With his friend and fellow artist william henry singer (son of steel magnate william singer), he settled, at the end of the 19th century, in laren, in the netherlands, a small town where many artists of the hague school were influenced by french art. The impressionists, who set out to fully experiment with painting, they welcomed a large number of american artists into their studio, including, among others, henry ward ranger, william henry howe, amy cross, charles gruppe, walter castle keith and giuseppe raffaele.
borgord returned to the united states to become director of the carnegie institute of art and the allegheny (pennsylvania) school of painting, but would continue to maintain a part-time studio in holland.
at the paris salon of 1905, borgord was awarded a gold medal and, years later, in 1924, with a solo exhibition of his paintings and sculptures at the galerie de marsan. He exhibited at the national academy of design in new york in 1913 and again in 1919. An international artist, he was part not only of the exclusive salmagundi club in new york, but also of the st. Lucas society of amsterdam, allied art association. . And the american art association in paris.
he was recognized in the united states and europe as a leading painter and sculptor.
museums: luxembourg museum, carnegie institute of paris, national academy of design of pittsburgh, new york washington county museum of fine arts, hagerstown, md. Sweat memorial art museum, portland, maine
in 1916, to a journalist who interviewed him for the hartford courant, he explained: in the past i have worked on the effects of light and shadow; now i paint exclusively for unusual effects and color harmonies"
our beautiful painting belongs precisely to this period, strongly influenced by french impressionism: the contours of the characters fade, getting lost in the colors and light of the background, with dense and decisive brushstrokes.
excellent state of preservation. Within a beautiful carved and gilded wooden frame.
measures
panel 43 x 36 cm
frame 51 x 44 cm this piece has an attribution mark,
i am sure that it is completely authentic and take full responsibility for any authenticity
issues arising from misattribution less
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