Details
- Dimensions
- 19.29ʺW × 17.72ʺD × 29.53ʺH
- Styles
- Mid-Century Modern
- Brand
- Cassina
- Designer
- Vico Magistretti
- Period
- 1970s
- Country of Origin
- Italy
- Item Type
- Vintage, Antique or Pre-owned
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- Materials
- Velvet
- Wood
- Condition
- Good Condition, Unknown, Some Imperfections
- Color
- Brown
- Condition Notes
- Good — This vintage item remains fully functional, but it shows sign of age through scuffs, dings, faded finishes, minimal … moreGood — This vintage item remains fully functional, but it shows sign of age through scuffs, dings, faded finishes, minimal upholstery defects, or visible repairs\. Good condition, with inevitable signs of time and use (one seat definitely needs to be redone, some marks on the wooden structures). less
- Description
-
Good condition, with inevitable signs of time and use (one seat definitely needs to be redone, some marks on the …
more
Good condition, with inevitable signs of time and use (one seat definitely needs to be redone, some marks on the wooden structures).
The 122 chair by Vico Magistretti for Cassina is an icon of Italian design, created in 1967. This chair is a perfect example of the minimalist and functional language that characterized Magistretti’s work, one of the most important designers of the 20th century. The Sedia 122 stands out for its formal simplicity and the innovative use of materials, combining tradition and modernity in a single solution.
Design and Features:
Structure: The chair features a solid wood frame, often oak or walnut, which gives it a sense of solidity and warmth. The frame is made with clean lines and rigorous geometries, while still being very elegant.
Seat and Backrest: The seat is padded, but its shape is sober and linear, with particular attention to comfort. The backrest is essential, but provides good support thanks to its angle.
Functional Design: Like many of Magistretti’s works, the Sedia 122 focuses on functionality without sacrificing beauty. It is comfortable, stable, and suitable for both domestic use and public spaces, such as offices and waiting rooms. This piece has an attribution mark,
I am sure that it is completely authentic and take full responsibility for any authenticity
issues arising from misattribution less
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