Details
- Dimensions
- 16ʺW × 16ʺD × 25ʺL
- Styles
- Empire
- Lamp Shade
- Included
- Period
- 1920s
- Country of Origin
- France
- Item Type
- Vintage, Antique or Pre-owned
- Materials
- Brass
- Tole
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Bronze
- Power Sources
- Up to 120V (US Standard)
- Corded
- Type A
- Condition Notes
This piece is in very nice antique condition with only minor surface wear consistent with age and use. The photos …
A professional electrician has confirmed this piece is in working order. more
This piece is in very nice antique condition with only minor surface wear consistent with age and use. The photos accurately depict the condition.
A professional electrician has confirmed this piece is in working order. less
- Description
-
Bouillotte lamp from France in the French Empire style. This piece is made of finely cast bronze and features three …
more
Bouillotte lamp from France in the French Empire style. This piece is made of finely cast bronze and features three branches with candelabra style lighting. There is a striking eagle finial at the top. The adjustable green “tole” shade is beautifully hand painted and gold leafed with Empire style designs of leaves. It has been newly wired to fit US standards. The lamp is in very nice antique condition – the photos accurately depict the condition.
After many years of political instability, Napoleon Bonaparte crowned himself emperor of France in 1804 and began the Empire period. As the Empire period began, the economy was booming and there was a strong desire for fine furniture and decoration from the new bourgeois aristocracy. The Empire style drew most of its inspiration from the Classical world, especially the Roman Empire and often incorporated large architectural elements such as columns and pilasters. Ancient Egypt also started to be an influence after a French military campaign there awakened new fascination for this civilization. The characteristic furniture types were imposing: their flat surfaces and sharp corners, together with their lack of moldings, produced an effect of grandeur that was not without beauty. Antique forms and ornament, already seen in the Louis XVI style, blended with Napoleon’s imperial symbols for a strong impression. less
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