PULLBOROUGH, GB
Details
- Dimensions
- 65.35ʺW × 0.39ʺD × 50.39ʺH
- Item Type
- Vintage, Antique or Pre-owned
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- Materials
- Fabric
- Condition
- Unknown, Some Imperfections
- Color
- Brown
- Condition Notes
- Very Good — This vintage item has no defects, but it may show slight traces of use\. Minor fading Very Good — This vintage item has no defects, but it may show slight traces of use\. Minor fading less
- Description
- Lovely vintage large wall hanging tapestry of "the lady and the unicorn" a very good looking and decorative piece. This … more Lovely vintage large wall hanging tapestry of "the lady and the unicorn" a very good looking and decorative piece. This is an a period early 20th century piece and will look expensive, decorative and important in any setting. Condition wise, apart from normal patina i can't see a single thing wrong with it anywhere, it looks sublime the lady and the unicorn touch, taste, smell, hearing and sight\. These six tapestries, woven in around 1500, represent the five senses against a detailed red background. The remaining sixth sense, explained only by the inscription “à mon seul désir” (to my only desire), has inspired countless theories. Without excluding a possible meaning in the register of courtly love, it could be a reference to free will: the woman with her decorative headdress and refined clothing, renouncing temporal pleasures. These “millefleurs” (“thousand flowers”) tapestries are characterized by an abundance of flora, including flowers, orange trees, pines, hollies and oaks, and are inhabited by a peaceable bestiary (a monkey, dogs, rabbits and a heron). In this idyllic natural setting conducive to contemplation, the unicorn by turns a participant and a simple spectator. Accompanied by a lion, it sports the coat of arms of the le viste family in every scene. The lady and the unicorn wall-hanging was acquired in 1882. It is now considered one of the great masterpieces of western art. Dimensions height:- 128cm width:- 166cm depth:- 1cm please note all measurements are taken at the widest point, if you would like any additional or specific measurements please ask the grail tapestries the quest for the holy grail in the early 1890’s sir edward burn-jones designed a series of tapestries illustrating the quest for the holy grail. These were produced in collaboration with william morris and some of them are now in he care of birmingham museum and art gallery. For conservation reasons the tapestries are only exhibited occasionally but are on show as from today, 22nd november 2008, until february 2009. This sequence of tapestries was originally designed for william knox d'arcy, for the dining room of his house, stanmore hall, middlesex. It was the most extensive decoration scheme that the firm of morris & co completed. A set of ten were designed by edward burne-jones, who produced the figurative designs and based the costumes loosely on those of the twelfth century, john henry dearle, who designed decorative detail, and william morris, who designed the heraldry. Several further versions were woven later, although the entire series was only repeated once, for d'arcy's business partner, george mcculloch, in 1898-99. Birmingham's version of 'the summons' is from the series produced for george mcculloch. The subject matter is based on the 15th century thomas malory’s le morte d'arthur. It tells the story of the spiritual quest by king arthur's knights of the round table for the holy grail, the vessel from which jesus and the disciples drank at the last supper. Here the first scene of the story shows the damsel arriving at court and summoning the knights to the quest. King arthur holds a gold staff and wears a crown. Sir lancelot, also wearing a crown, is seated on the left. The other knights are sir bors, sir kay, sir lamorah, sir gawaine, sir palomedes, sir perceval, and sir hector de marys. Sir galahad, who is sir lancelot’s son, and the only knight worthy of attaining the holy grail, is yet to arrive. He is represented by the empty chair, draped with a cloth bearing a latin inscription and known as the ‘siege perilous’. Any questions please feel free to ask before you bid condition please view the very detailed pictures as they form part of the around condition please note vintage period and original items such as leather seating will always have natural patina in the form of cracking creasing and wear, we recommend regular waxing to ensure no moisture is lost, also hand dyed leather is not recommended to sit in direct sunlight for prolonged periods of time as it will dry out and fade. less
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