Weelde, BE
Details
- Dimensions
- 11.81ʺW × 7.87ʺD × 18.5ʺH
- Art Subjects
- Abstract
- Period
- 1960s
- Country of Origin
- Belgium
- Item Type
- Vintage, Antique or Pre-owned
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- Materials
- Clay
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Black
- Condition Notes
- Excellent — This vintage piece is in near original condition. It may show minimal traces of use and/or have slight … moreExcellent — This vintage piece is in near original condition. It may show minimal traces of use and/or have slight restorations. less
- Description
-
Crafted by Belgian ceramic artist Jan Heylen, this beautiful sculpture captures the raw essence of human emotion. with its characteristic …
more
Crafted by Belgian ceramic artist Jan Heylen, this beautiful sculpture captures the raw essence of human emotion. with its characteristic style of unconventional poses and expressive faces, it's a masterpiece of emotional depth. Each glance reveals new nuances in human feelings, overshadowing any debate about ceramic art's expressiveness. The rough texture of the clay adds another layer of authenticity and intrigue.
Due to his untimely passing, the works of this avant-garde Belgian artist are incredibly rare. Don't miss the opportunity to own this beautiful piece in excellent condition!
Jan Heylen (1931-1967) emerged as a significant figure in sculptural ceramics, both in Belgium and internationally. Though his life may have been short, his impact on the art world was profound. He studied sculpture at La Cambre in Brussels under Charles Leplae and further refined his craft in Paris under Ossip Zadkine. Heylen founded the ceramics department at the Provincial Higher Art Institute of Hasselt, sharing his expertise and passion with future generations. Characterized by figures in unconventional poses and evocative facial expressions, Heylen's work delves deeply into the complexities of human emotion and vulnerability, resonating with audiences on a profound level.
The impression his sculptures leave is such that they make every discussion about the expressive potential of ceramic sculpture seem passé. The directness of his 'art brut' certainly impressed many colleague artists like Yves Rhayé, Carmen Dionyse, Lieve De Pelsmaeker and Octave Landuyt. The fact that he exhibited at Expo 58 at such a young age speaks to his talent and the recognition he garnered in the art world at an early stage. It's unfortunate that his career was cut short due to a car accident, but his artworks are still studied and exhibited to this day. I have official proof of authenticity such as vintage catalogs,
designer records,
or other literature sources and take full responsibility for any authenticity issues arising
from
misattribution less
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