D.154.2 Armchair in Light Blue Suede Fabric by Gio Ponti, 2019

Description

Gio Ponti's designed the D.154.2 armchair for one of the projects closest to Gio Ponti’s heart, the villa of the … more Gio Ponti's designed the D.154.2 armchair for one of the projects closest to Gio Ponti’s heart, the villa of the Planchart collectors in Caracas (1953-57). It fully encapsulates Ponti's architectural brilliance and ebullient spirit with its enveloping and sinuous profile that inspires both admiration and comfort. D.154.2 was reissued by Molteni&C in 2015. This specific chair was produced in 2019 and used in a private home. It has very little signs of wear. Today the armchair, which is like a cosy shell, has a rigid polyurethane frame, a soft polyurethane counter-frame and a cushion, and is upholstered in the Molteni&C suede fabric. In 2016 this “love chair”won the prestigious Wallpaper Design Awards and became a Molteni&C icon. Giovanni “Gio” Ponti, (Milan, November 18, 1891 - Milan, September 16, 1979), is one of the Italian masters of architecture. He was also a designer and essayist and one of the most important of the twentieth century. Other than the great architectural works which carry his unmistakable signature, he created a vast amount of work in the furniture sector. This is demonstrated in his three Milanese houses which were fully furnished in the “Ponti” style. The houses in via Randaccio, 1925, Casa Laporte in via Brin, 1926 and the last in via Dezza, in 1957 is an “expression” of his home design ideas. Gio Ponti was an Italian promoter of industrial design and introduced the idea of interior furnishing ranges produced as being a “sophisticated”,“economic, “democratic” and modern. Molteni&C managed a reissuing project of furniture and furnishings designed by Gio Ponti for products for these private homes and limited editions. After a long journey of research, selection and study of prototypes, the collection was exhibited at the Salone del Mobile 2012. This was thanks to the cooperation and the exclusively signed agreement of the Ponti heirs and the artistic director of Cerri & Associati Studio. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity



issues arising from misattribution less