Roma, IT
Details
- Dimensions
- 19.29ʺW × 23.23ʺH
- Styles
- Modern
- Art Subjects
- Figure
- Period
- 1970s
- Item Type
- Vintage, Antique or Pre-owned
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- Condition
- Good Condition, Unknown, Some Imperfections
- Color
- Condition Notes
- Very Good — This vintage item has no defects, but it may show slight traces of use\. Please note that … moreVery Good — This vintage item has no defects, but it may show slight traces of use\. Please note that an additional handling period of up to 4 weeks may apply to this item less
- Description
-
The Crucifixion is an etching and drypoint on paper realized by Gian Paolo Berto in 1974. Good conditions, except for …
more
The Crucifixion is an etching and drypoint on paper realized by Gian Paolo Berto in 1974. Good conditions, except for light scratches at the top margins. Hand-signed and numbered, edition of 40 prints. The artwork represents The Crucifixion. The artwork is depicted skillfully through confident strokes with a well-balanced composition. Gian Paolo Berto born and raised in the limited but fervent artistic environment of Adria after the war where, apart from the isolated and not yet rediscovered genius of the Anglo-Saxon Foster, a new cultural climate was forming alongside the figures of Scarpari, Reali, Rizzi, Palmieri , Gioli. Then in Rovigo, he is studying with Prudenziato and Breseghello and in friendship with Gabbris Ferrari. The meeting with the masters Zancanaro and Levi is dazzling and constitutes the springboard of this eclectic artist in the world of contemporary Italian painting. Despite having been among the very few admitted to De Chirico's studio (but also by Guttuso and Picasso), and has exhibited in prestigious galleries and museums, Berto has always exempted himself from appearing in the windows of the great art market, preferring contact, in an anti-elitist key, with the most genuine audiences: students, simple people, artists and intellectuals who conduct their research with rigor and autonomy from fashions and trends. This does not mean that his painting is detached from the context of contemporary art. Indeed, the painter's characteristic appropriation of the reality that surrounds him and the evolving forms of painting in Berto is explicit and, as often happens in art, prophecy. The debt contracted by American Pop towards the European one is known: a front that at the time found an attentive and operative Berto and then, in the following decades, ready to grasp the flourishing of the successive frontiers of art.(Artist's website). This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity
issues arising from misattribution less
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