Estève, Composition, Prints from the Mourlot Press (after) 1964

Description

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Prints from the Mourlot … more Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Prints from the Mourlot Press, 1964. Published by Fernand Mourlot, Paris, and National Collection of Fine Arts, Smithsonian Institution, Washington D.C.; printed by Mourlot, Paris, October 27, 1964. Excerpted from the album, This album was finished in Paris on 27th October 1964. The original lithographs and the reproductions were printed on the presses of Mourlot. The L'Imprimerie nationale, Director André Brignole, was responsible for the typography. The edition has been limited to MM examples on Vélin d'Arches and CC on Vélin de Rives reserved for the artists, the staff and the friends of the Imprimerie Mourlot.

MAURICE ESTEVE (1904-2001), was a French painter. Maurice Estève was born in the French town of Culan (Département Cher) on 2 May 1904. In 1913 he moved to Paris with his parents, where he soon began his education as an artist. Estève worked for a year as designer in a textile factory in Barcelona 1923. During his visits to the Louvre in the 1920s, Estève was particularly impressed by the painters Jean Fouquet and Paolo Uccello. Among the modern artists, Paul Cézanne had the greatest influence on Estève. Maurice Estève was largely self-educated, having only attended the free studio of the Académie Colarossi in 1924, where he tried to constructively implement of his motifs according to the model of Georges Braque and Fernand Léger, thus creating a kind of Cubist Fauvism. Estève began to move away from realism in 1928, and was influenced in the following years by Léger, Matisse, Picasso, and Bonnard. His first one-man exhibition was given at the Galerie Yvangot, Paris, 1930. He worked as assistant to Robert Delaunay on huge decorative panels for the 1937 Paris International Exhibition. In the 1940s his stylized figure, still-life and landscape compositions with strong colors gradually became completely abstract, with tight-knit interlocking shapes in rich, bold colors. Has made a number of watercolors and collages, and designed stained glass in 1957 for a church at Berlincourt in the Bernese Jura.
Estève's extensive work was not limited to the genre of painting. He was also active in collage, textile design and murals. Estève avoided the extrovert circles of Avant-garde but still belonged to the core of the artists who brought about the breakthrough of École de Paris after 1945.
Maurice Estève took part in the Venice Biennale in 1954. His œuvre, just like the works of his art colleagues Riopelle and Bazaine, established a new pictorial language: Lyrical abstractions with the aim of depicting form and color with an almost poetic attitude. His works have established themselves in many well-known museums and collections around the world. less