Details
- Dimensions
- 16ʺW × 0.25ʺD × 20ʺH
- Styles
- Abstract
- Figurative
- Frame Type
- Framed
- Art Subjects
- Text
- Artist
- Sister Mary Corita Kent
- Period
- 1960s
- Country of Origin
- United States
- Item Type
- Vintage, Antique or Pre-owned
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- Materials
- Paper
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Red
- Condition Notes
- excellent condition, as pictured. excellent condition, as pictured. less
- Description
-
Yes, we all live in one, or perhaps we did once... But this is a unique take on the old …
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Yes, we all live in one, or perhaps we did once... But this is a unique take on the old Beatles lyric, and very much a product of its times, the 1960s. Along with the lyric (And our friends are all aboard, Many more live next door..." we also have "Make Love, Not War" and "Vietnam, What has it done to the home of the brave?" We so love the work of Sister Corita.... Published by United Church Press in 1968, this 10 x 14 print is matted in a pH neutral mat to the standard picture frame size of 16 x 20 and is in excellent condition, as pictured.
About the artist:
Corita Kent (1918-1986) was a pioneering, Los Angeles-based artist and designer. For over three decades, Corita, as she is commonly referred to, experimented in printmaking, producing a prodigious and groundbreaking body of work that combines faith, activism, and teaching with messages of acceptance and hope. Her vibrant, Pop-inspired prints from the 1960s pose philosophical questions about racism, war, poverty, and religion and remain iconic symbols of that period in American history.
A Sister of the Immaculate Heart of Mary, Corita taught at the Art Department at Immaculate Heart College from 1947 through 1968. At IHC, Corita developed her own version of Pop art, mixing bright, bold imagery with provocative texts pulled from a range of secular and religious sources, including street signs, scripture, poetry, philosophy, advertising, and pop song lyrics. She used printmaking as a populist medium to communicate with the world, and her avant-garde designs appeared widely as billboards, book jackets, illustrations, and posters. By the mid-1960s Corita and IHC’s art department had become legendary, frequently bringing such guests as John Cage, Charles and Ray Eames, Buckminster Fuller, Saul Bass, and Alfred Hitchcock. Dubbed the “joyous revolutionary” by artist Ben Shahn, Corita lectured extensively, appeared on television and radio talk shows across the country, and on the cover of Newsweek in 1967.
As a teacher, Corita inspired her students to discover new ways of experiencing the world. She asked them to see with fresh eyes through the use of a "finder," an empty 35mm slide mount that students looked through to frame arresting compositions and images. Seeking out revelation in the everyday, students explored grocery stores, car dealerships, and the streets of Hollywood. As Corita’s friend, theologian Harvey Cox, noted, “Like a priest, a shaman, a magician, she could pass her hands over the commonest of the everyday, the superficial, the oh-so-ordinary, and make it a vehicle of the luminous, the only, and the hope filled." less
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