Details
- Dimensions
- 29.5ʺW × 2ʺD × 42ʺH
- Styles
- Art Nouveau
- Realism
- Art Subjects
- Botanic
- Frame Type
- Framed
- Period
- 1980s
- Country of Origin
- United States
- Item Type
- Vintage, Antique or Pre-owned
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- Materials
- Airbrush
- Paper
- Screen Print
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Purple
- Condition Notes
- Condition is Excellent. There are 2 faint scratches on the surface of the image in the bottom left side (see … moreCondition is Excellent. There are 2 faint scratches on the surface of the image in the bottom left side (see photo above). less
- Description
-
Original limited edition airbrushed print on paper. Custom framed with archival materials. Hand signed, titled and numbered by the artist …
more
Original limited edition airbrushed print on paper. Custom framed with archival materials. Hand signed, titled and numbered by the artist in pencil. Framed Size: 42" x 29-1/2". Image Size: 29-1/2" x 18". Edition Number: 171/250. Year: 1981. Certificate of Authenticity and appraisal included. Condition is Excellent. There are 2 faint scratches on the surface of the image in the bottom left side (see photo above). MAKE AN OFFER!
Artist bio:
Before he begins his artistic journey on canvas, Brian combs the fields and gardens near his Los Angeles home for a flower or scene that catches his eye. He carries a camera everywhere so he can shoot a subject at any moment. Since flowers wilt so quickly, and it can take weeks to complete a painting, he has found a way to create a floral image from a series of different shots for each flower. He may not do an exact botanical rendering and he changes colors and leaves at will.
Brian believes that the depth in his art is derived from paying attention to the subtle shifts in value - relative dark and light. He is often asked if there is a light source behind his paintings."The light is the real subject of my work. The flower is the state, the light is the dancer." Using two hanging mirrors to view the unfinished painting at all angles, Brian works daily in his studio surrounded by books, music, and historical videos.
Known for his magnificent flowers, Brian Davis transforms exquisite blossoms like roses, calla lilies, and dahlias into romantic, compelling images with sharpness, color, movement, edge, and light.
Before he begins his artistic journey on canvas, Davis combs the fields and gardens near his Los Angeles home, searching for a flower or landscape that catches his eye.
Brian carries his camera everywhere so he can shoot a flower or landscape at any moment. Since flowers wilt so quickly, and it can take weeks to make a painting, the artist has found a way to create his floral image from a series of different shots for each flower. He may not do an exact botanical rendering, changing colors and leaves at will.
Brian believes that the great depth in his art is derived from his paying great attention to the subtle shifts in value (relative dark and light). He is often asked if there is a light source behind his paintings making them look so lit up."The light is the real subject of my work. The flower is the stage, the light is the dancer."
Utilizing two hanging mirrors, so that he can view his unfinished work at all angles, Brian works daily in his small studio filled with books, music, and historical videos.
Greatly influenced by the Dutch Masters, along with the artists of the Art Nouveau and Art Deco, Brian is inspired by images of highly stylized renditions of birds and flowers and their intensity of color achieved by many, many layers of paint.
Brian begins a painting with the darkest shades of colors, representing the background, and then proceeds to bring layers upon layers of colors "forward" to achieve the three-dimensional quality of his technique, known as "value painting". less
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