Ourense, ES
Details
- Dimensions
- 10.24ʺW × 0.79ʺD × 10.24ʺH
- Art Subjects
- Figure
- Period
- Early 21st Century
- Country of Origin
- Spain
- Item Type
- Vintage, Antique or Pre-owned
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- Materials
- Paint
- Wood
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Black
- Condition Notes
- Excellent — This vintage piece is in near original condition. It may show minimal traces of use and/or have slight … moreExcellent — This vintage piece is in near original condition. It may show minimal traces of use and/or have slight restorations\. ´Nuevo, directo del taller de la artista less
- Description
-
In "Currency #236", Natasha Lelenco presents a striking portrait against a vivid red background, where the profile of the figure …
more
In "Currency #236", Natasha Lelenco presents a striking portrait against a vivid red background, where the profile of the figure is rendered in deep blue hues, creating a powerful contrast. The phrase encircling the figure reads, "Mi identidad es de aquí, pero no mis orígenes" ("My identity is from here, but not my origins"), reflecting a complex dialogue about the relationship between place, identity, and heritage, central themes in this series. The portrait’s intricate detailing, especially around the curly black hair and subtle scales emerging on the neck, evoke both individuality and transformation. The figure is painted on a circular wooden panel, 26 cm in diameter, with the value of 222,57 euros inscribed below the neck. As with other pieces in the Currencies series, this variable price suggests an exploration of the arbitrary nature of human value, drawing parallels to how societies often assign worth based on origin, social standing, or ethnicity. These works from the Currencies series are designed to function both individually or as part of larger compositions, offering collectors the opportunity to create installations as vast as desired. As an interesting curiosity, the artist offers her collectors the possibility to exchange the equivalent value of the percentage that would have been due to the artist from the sale of these coins for future works of her own creation. Therefore, beyond acquiring a wonderful piece of art, they acquire the opportunity to visit the artist's studio and consider the purchase of another work using this as a form of payment. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity
issues arising from misattribution less
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