Details
- Dimensions
- 10ʺW × 8ʺD × 13.5ʺH
- Period
- Early 20th Century
- Country of Origin
- Italy
- Item Type
- Vintage, Antique or Pre-owned
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- Materials
- Bronze
- Copper
- Marble
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Bronze
- Condition Notes
- Lightly used, with very light scratches, or minor cosmetic wear, but has no structural issues. Wear consistent with age and … moreLightly used, with very light scratches, or minor cosmetic wear, but has no structural issues. Wear consistent with age and use. No restorations or modifications have been made. less
- Description
-
Early 20th century Art Nouveau rooster and hen bronze sculpture with marble base by Enrico Marcello Zosi, Italy
By: Enrico … more Early 20th century Art Nouveau rooster and hen bronze sculpture with marble base by Enrico Marcello Zosi, Italy
By: Enrico Marcello Zosi, Charles Paillet (in the style of)
Material: bronze, copper, metal, stone, marble
Technique: cast, molded, metalwork, polished
Dimensions: 10 in x 8 in x 13.5 in
Date: early 20th century
Style: Art Nouveau, Realism, Belle Époque
Place of origin: Italy
A bronze sculpture that captures the essence of farmyard life through a meticulously crafted rooster and hen pair. The Italian author,
Enrico Marcello Zosi (1880 - 1948), demonstrates his mastery of form and texture in this early 20th-century work. The birds, depicted with heads lowered as if foraging, exhibit a naturalistic posture that speaks to Zosi's keen observation of animal behavior.
The sculpture's surface boasts a rich patina, with variations in tone that accentuate the intricate feather detailing and muscular forms of the fowl. This attention to detail extends from the birds' combs and wattles to their scaled feet, creating a tactile quality that invites closer inspection. The composition rests upon a rectangular bronze base, which in turn is mounted on a cuboid plinth of striated orange and white marble stone, adding a touch of warmth to the overall presentation.
Zosi's signature, visible on the sculpture's base, affirms its provenance. This piece embodies the Art Nouveau movement's fascination with natural forms, while its realism aligns with the Belle Époque's appreciation for skilfully rendered animal subjects. less
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