ILLIANO’S LAB DI ILLIANO ANGELO
Taranto, IT
Details
- Dimensions
- 16.14ʺW × 1.97ʺD × 25.59ʺH
- Styles
- Mid-Century Modern
- Period
- 1950s
- Country of Origin
- Italy
- Item Type
- Vintage, Antique or Pre-owned
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- Materials
- Marble
- Steel
- Condition
- Good Condition, Unknown, Some Imperfections
- Color
- Blue
- Condition Notes
- Good — This vintage item remains fully functional, but it shows sign of age through scuffs, dings, faded finishes, minimal … moreGood — This vintage item remains fully functional, but it shows sign of age through scuffs, dings, faded finishes, minimal upholstery defects, or visible repairs. less
- Description
-
Renato Vanzelli - Sculptural wall mirror from the 1940s/50s
Signed
In excellent conservative conditions, there are no aesthetic or structural … more Renato Vanzelli - Sculptural wall mirror from the 1940s/50s
Signed
In excellent conservative conditions, there are no aesthetic or structural defects to report, only slight and obvious signs of aging. (See photo)
Height 65 cm
Width 41 cm
Renato Vanzelli was born in Padua in 1932. He obtained a diploma from the "Pietro Selvatico" State Art Institute, where he later taught until 1959. Starting in 1954, he began to draw and develop artisanal techniques to create languages art on metals.
In the 1960s, he began an operational process that led him to develop organized structures, which are composed through the use of modular forms. He participated in numerous exhibitions, including the Gorizia Youth Biennale and the "Youth Art Exhibition" in Rome in 1954, the Gubbio Metal Biennial in 1964 and the IX International Bronzetto Competition in Padua in 1973. In 1976, his first solo exhibition was held at the "La Chiocciola" Gallery in Padua.
Renato Venzelli passed away on 28 February 1993 at the Este hospital. In addition to the works created in bronze, steel and lead, his exhibition itinerary also highlights drawings-projects on paper and casts in wood and wax, highlighting the different phases through which Venzelli arrived at the definitive realization of the works. I have official proof of authenticity such as vintage catalogs,
designer records,
or other literature sources and take full responsibility for any authenticity issues arising
from
misattribution less
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