Saint Paul, MN
Details
- Dimensions
- 11ʺW × 1ʺD × 12.5ʺH
- Styles
- Italian
- Frame Type
- Framed
- Art Subjects
- Animals
- Period
- Late 19th Century
- Country of Origin
- Italy
- Item Type
- Vintage, Antique or Pre-owned
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- Materials
- Oil Paint
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Brown
- Condition Notes
- Later modern frames. Good condition with imperfections. These have distinct wear and patina from being around for a hundred or … moreLater modern frames. Good condition with imperfections. These have distinct wear and patina from being around for a hundred or hundreds of years. You can see the details in the photographs included in the listing. Most collectors would love these as-is, so I wanted to point out the flaws ahead of purchase. less
- Description
-
Giuseppe Barison, Italian 1853 to 1931. Entitled "Fantini (Upper painting) "C--sa al Trotto" (Lower painting). Carefully painted by this academically …
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Giuseppe Barison, Italian 1853 to 1931. Entitled "Fantini (Upper painting) "C--sa al Trotto" (Lower painting). Carefully painted by this academically trained artist with an eye to the demands of his horse racing clientele.
Each: Height 12 1/2 inches, Width 11 inches, Depth 1 inch.
$1200 the pair. Later modern frames. Each painted on chamfered wood panels
Barison was born in Trieste, Austrian Empire to a family of modest means. His father was a tailor. Giuseppe found a patron in the aristocratic Anna De Rin, who placed him in apprenticeship with the painter Carl Haase (1820-1876) in Trieste, and then enrolled him in the Academy of Fine Arts in Vienna.. In 1872, Barison began to take lessons from the Nazarene painters Karl von Blaas and Eduard von Engerth, and also took courses in art history from August Eisenmenger.
Returning to Trieste in 1876, the next year he participated at the Esposizione di Belle Arti, with a canvas depicting Isabella Orsini and her Page, which gains him a two-year stipend from the city to study in Rome. After Rome, he spent some years in Venice, where he was influenced by Giacomo Favretto, and exhibited with the Società Veneta Promotrice di Belle Arti from 1880 onward. In 1886, his painting Pescheria a Rialto won the Prince Umberto Prize, but because of his non-Italian nationality, the award was rescinded.
His wife Giulia, originally from Trieste, and not happily settled in Venice, successfully urged her husband to relocate to Trieste, now with his family of three children (Arnaldo, Cesare and Ester). He experienced a chilly reception there, in part due to his personality, and in part due to his Venetian style of painting.
At the national exhibition of 1887, Barison was influenced by two paintings, Neapolitan Michele Cammarono's The Brawl (La Rissa), and Genoese Nicolo Barabino's Quasi oliva speciosa. Barison was to echo these paintings in his works After the Brawl (Dopo una rissa) (painted a few months later) and Quasi oliva speciosa in campis in 1899. The latter has a fluid loose brushwork that is characteristic of his later years (demonstrated also by his self-portrait). In Trieste, he gained commissions for the panels for the Savings Bank of Trieste in 1912 depicting The Builders (which includes a self-portrait in a flowing red robe) and The Merchants.
Subjects of his paintings in the early century include horses rendered with extreme care and precision in the painting Old Song (Municipality of Trieste). The First World War exiled Barison to the house of his son-in-law, the artist Roberto Amadi, in Pegli, Liguria where he stayed from 1915 to 1918, and continued painting land- and sea-scapes. After the war, he returned to Trieste, and along with contemporaries Guido Grimani (1871-1933) and Ugo Flumiani (1876-1938), continued to paint such themes. He often painted outdoors. less
Saint Paul, MN
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