Ercole Barovier for Barovier & Toso Aborigeni Murano Art Glass Bowl

Description

Ercole Barovier for Barovier & Toso Aborigeni Murano Art Glass Bowl

A great Murano glass bowl in Aborigeni technique. Designed … more Ercole Barovier for Barovier & Toso Aborigeni Murano Art Glass Bowl

A great Murano glass bowl in Aborigeni technique. Designed by Ercole Barovier and manufactured by Barovier & Toso ca. 1950s.

Measures:
Width: 10.24" (26 cm)
Height: 2.56" (6.5 cm)
Depth: 8.46" (21.5 cm)

Barovier & Toso is the oldest Muranese glass manufactory founded in 1295. In the early 1900s Benvenuto Barovier, Vittorio Zecchin and Umberto Belotto designed a series of mosaik glasses in liberty style. In 1920 Ercole Barovier became artistic director. Under his direction Barovier, Barovier & Toso won numerous awards for their innovations. In 1930 the award-winning “Primavera” series was presented at the Venice Biennale. Barovier continued to produce innovative designs. Several of them became iconic status as there are the 'Lenti', 'Crepuscolo', 'Autunno Gemmato', 'Oriente', 'Rostrato', 'Tessere' and 'Barbarico' – just to name a few. The company became Ferro Toso Vetrerie Artistiche Riunite S.A in 1936 when Vetreria Artistica Barovier merged with Ferro Toso. In 1942, the company was renamed to Barovier & Toso. The company executed also designs of e. g. Matteo Thun, Giusto and Renato Toso, Toni Zuccheri and Sergio Asti. Today Barovier's main focus is on luxury lightnings.

artfour is an owner-managed trading company dealing with fancy pieces of Murano and Scandinavian art glass. Our passion for the beauty of these works of art drives us to become your preferred partner for the expansion of your collection. We have been dealing with 20th century art glass since the 1980s and have great experience. We guarantee the authenticity of all items we offer. We operate worldwide with well-packed and money back guarantee service.

Literature Reference:
Attilia Dorigato, Ercole Barovier 1889-1974, Venezia 1989, page 96
Carlo Bestetti, I Vetri Di Murano, Roma 1980s, page 101 less