Auburn Hills, MI
Details
- Dimensions
- 12.99ʺW × 0.1ʺD × 16.93ʺH
- Styles
- Modern
- Frame Type
- Unframed
- Art Subjects
- Cityscape
- Artist
- Maurice Utrillo
- Period
- 1950s
- Item Type
- Vintage, Antique or Pre-owned
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- Materials
- Lithograph
- Condition
- Good Condition, Unknown, Some Imperfections
- Color
- Green
- Condition Notes
- Good Previously owned and used, showing natural wear, including discoloration and cracks consistent with age. May have slight soiling, but … moreGood Previously owned and used, showing natural wear, including discoloration and cracks consistent with age. May have slight soiling, but no structural issues. less
- Description
-
Lithograph on vélin Johannot paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Paris Capitale, 1955; published by …
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Lithograph on vélin Johannot paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Paris Capitale, 1955; published by Joseph Foret, Editeur d'Art, Paris, and Galerie Paul Pétridès, Paris; rendered by Société anonyme Baguenier Desormeaux et Cie, Paris; printed by Mourlot Frères, Paris, 1955. Excerpted from the folio, From this book Paris Capitale, with unpublished texts by Andre Maurois, of the French Academy, illustrates with ten original lithographs in color by Maurice Utrillo, with the additional text, Culs-de Lampe by Lucie Valore. It has been drawn 197 numbered examples, constituting the original edition including 25 examples on vélin paper of pure cloth Arches numbered in roman numerals from I to XXV, accompanied by a color suite with a remark on nacre japon, as well as a decomposition of the colors of one of the lithographs. 50 examples on vélin paper of numbered Rives, in arabic numbers from 1 to 50 with a color suite on imperial japon; 122 examples on vélin Johannot pure thread paper numbered in Arabic digits from 51 to 172. In addition, ten non-commerce copies were printed on pure marsh paper chiffon letters from A-J and a few nominative copies for collaborators. The lithographic stones and zincs have been destroyed after draw.
MAURICE UTRILLO (1883-1955) was a French painter of the School of Paris who specialized in cityscapes. From the Montmartre quarter of Paris, France, Utrillo is one of the few famous painters of Montmartre to have been born there. Maurice Utrillo's life could not have been more bohemian. A romantic concept, la vie bohème was for many people who lived such an existence in Paris of the late-19th and early-20th century far less dazzling in reality. Born to the former circus acrobat turned artist's model and eventually avant-garde artist, Suzanne Valadon (she was only 18 at the time) Utrillo never knew who his father was. It was rumored that it could have been anyone from Puvis de Chavannes to Renoir to a young and little known painter named Boissy. When he was 21, Utrillo took up painting at the encouragement of his mother, who had learned to paint while posing for artists like Morisot, Toulouse-Lautrec, Renoir and Degas and had become a skillful artist in her own right. Eventually, the two shared a studio in Montmartre. At age 22, he sold his first painting and by 1909 he was exhibiting his work at the prestigious Salon d'Automne. By 1910, he had achieved considerable critical acclaim, having developed a style of landscape painting that combined features of Post-Impressionism and Cubism. His landscapes and cityscapes earned him lucrative sales and national notoriety, including the Cross of the Legion of Honor from the French government in 1928. Despite having been shunned by the French artistic establishment during much of his career, he is considered one of the pioneers of The School of Paris, the pre-World War I, modern artistic movement characterized by experimentation and pluralism. The quintessential struggling artist and also taking a cue from avant garde innovators like Picasso and Degas, Utrillo often used unusual if not everyday materials like cardboard in place of more expensive canvas to produce his paintings. Unlike his idols and mentors, however, Utrillo was virtually untrained and his greatest achievement must surely have been adapting his unrefined technique to successive avant garde styles - Impressionism, Cubism, Expressionism - to attain considerable critical and financial success. less
Auburn Hills, MI
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