Auburn Hills, MI
Details
- Dimensions
- 9.75ʺW × 0.1ʺD × 12.5ʺH
- Styles
- Modern
- Art Subjects
- Landscape
- Frame Type
- Unframed
- Period
- 1940s
- Item Type
- Vintage, Antique or Pre-owned
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- Materials
- Lithograph
- Condition
- Good Condition, Unknown, Some Imperfections
- Color
- Black
- Condition Notes
- Good Previously owned and used, showing natural wear, including discoloration and cracks consistent with age. May have slight soiling, but … moreGood Previously owned and used, showing natural wear, including discoloration and cracks consistent with age. May have slight soiling, but no structural issues. less
- Description
-
Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the …
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Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Marquet, 1948. Published by George Besson, Paris; printed by Les Éditions Braun & Cie, Mulhouse-Dornach, Paris, Lyon. Excerpted from the volume (translated from French), This volume, the fourth of the "Plastique" collection published under the direction of George Besson, was printed on vélin Vidalon paper by Braun & Cie, Mulhouse-Dornach, Paris, Lyon.
ALBERT MARQUET (1875-1947) was a French painter. He initially became one of the Fauve painters and a lifelong friend of Henri Matisse and in the milieu of Picasso. Marquet subsequently painted in a more naturalistic style, primarily landscapes, but also several portraits and, between 1910 and 1914, several female nude paintings. In 1905 he exhibited at the Salon d'Automne where his paintings were put together with those of Henri Matisse, Maurice de Vlaminck, André Derain, Othon Friesz, Georges Rouault, Raoul Dufy, Henri Manguin, Georges Braque, Louis Valtat, Georges Dufrénoy and Jean Puy. Dismayed by the intense coloration in these paintings, critics reacted by naming the artists the "Fauves", i.e. the wild beasts. Although Marquet painted with the fauves for years, he used less bright and violent colors than the others, and emphasized less intense tones made by mixing complementaries, thus always as colors and never as grays. Marquet subsequently painted in a more naturalistic style, primarily landscapes. less
Auburn Hills, MI
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