Mid-Century Modern PJ-TB-05-A Glass Table by Pierre Jeanneret, 1960s

Description

The piece embodies minimalist design principles, characterized by a clear shape and simplified form with subtle detailing. It is reduced … more The piece embodies minimalist design principles, characterized by a clear shape and simplified form with subtle detailing. It is reduced to the minimum. Each piece is slightly different, where the imprecision and imperfection offer an enriching quality. Signs of age, patina, and the traces of use enhance the character of this piece. All massive parts are authentic. They are done in Indian teak. Rich in texture, the wood is vivid and comes in chocolate colour. The surface is treated with shellac and there are several layers of original shellac. It provides smooth irregular gloss different from that of the sterile lacquerware nowadays. The item is engraved on the side with lettering, which makes it more valuable. Chandigarh items are famous for A-shaped legs, also known as compass legs. On the inner side, the edges are sharper, while the outer edges are rounded. The legs are a unique structure that frames the void between them while distributing the weight of the object. Here it is obvious that Pierre Jeanneret, together with Jean Prouvé and Le Corbusier, had a structural, not decorative, expression. The hollow corpus is hanging between the legs. Its glass top has been redone according to the original design. I think the piece blends well with many interior styles. It can support pure, modern aesthetics by giving them a warmer character with its natural materials and warm colours. As a coffee table, it is a central piece of the living area, dividing the space with its horizontal feature. Surface under the glass is a wonderful detail which allows books and collectable items to be presented. P! Galerie’s selection is mainly focused on rare French mid-century modern design artefacts by Pierre Jeanneret, Jean Prouvé, Le Corbusier, and Charlotte Perriand. Artefacts from our carefully curated collection are handpicked, and all traces and important indicators of authenticity are evaluated professionally. We try to preserve as much of patina as possible during the process of restoration, as it defines these historic pieces. Each object comes with a certificate of authenticity, offering you the opportunity to own a valuable artefact originating from a UNESCO-designated World Heritage Site. Not only do we cooperate with museums and offer auction houses our services and expert opinion, we also look forward to welcoming you as a private collector and connoisseur. Literature: Eric Touchaleaume and Gerald Moreau, 'Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-Art-Architecture' (Paris: Gourcuff Gradenigo, 2011), 588-9. Edition Galerie Patrick Seguin, 'Le Corbusier, Pierre Jeanneret: Chandigarh, India' (Paris: Galerie Patrick Seguin, 2014), 238-241, 287. This piece has an attribution mark,
I am sure that it is completely authentic and take full responsibility for any authenticity
issues arising from misattribution less