Mid-Century Modern PJ-R-27-A File Rack by Pierre Jeanneret, Chandigarh, 1950s

Description

Here we see the principle of the Japanese wabi-sabi, which refers to embracing imperfections and underlining impermanence. Rustic aspects, simplicity, … more Here we see the principle of the Japanese wabi-sabi, which refers to embracing imperfections and underlining impermanence. Rustic aspects, simplicity, modesty, and austerity offer a humble and honest beauty. This item expresses a specific rawness. There is no need for precise execution or the desire to appear sophisticated. It is simple, self-evident, and direct. It is made out of basic elements. The limitations of the craftsmen’s workshop in Chandigarh allowed for the development of their own language: essential and cleared of everything irrelevant. All parts are authentic. They are done in Indian teak. Rich in texture, the wood is vivid and comes in whiskey colour. The surface is treated with shellac and there are several layers of original shellac. It provides smooth irregular gloss different from that of the sterile lacquerware nowadays. Charming irregularities show that each piece is unique. The partitions establish a grid due to their proportions and dimensions. This way, the shape is well-balanced and symmetrical. They compartments are elevated from the ground, which makes the composition even more balanced through a simple gesture. I think the piece blends well with many interior styles. It can support pure, modern aesthetics by giving them a warmer character with its natural materials and warm colours. As a file rack, it offers storage and stands proudly in any area of your space. P! Galerie’s selection is mainly focused on rare French mid-century modern design artefacts by Pierre Jeanneret, Jean Prouvé, Le Corbusier, and Charlotte Perriand. Artefacts from our carefully curated collection are handpicked, and all traces and important indicators of authenticity are evaluated professionally. We try to preserve as much of patina as possible during the process of restoration, as it defines these historic pieces. Each object comes with a certificate of authenticity, offering you the opportunity to own a valuable artefact originating from a UNESCO-designated World Heritage Site. Not only do we cooperate with museums and offer auction houses our services and expert opinion, we also look forward to welcoming you as a private collector and connoisseur. Literature: Eric Touchaleaume and Gerald Moreau, ‘Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-Art-Architecture’ (Paris: Gourcuff Gradenigo, 2011), 596-7. Edition Galerie Patrick Seguin, ‘Le Corbusier, Pierre Jeanneret: Chandigarh, India’ (Paris: Galerie Patrick Seguin, 2014), 269, 289. This piece has an attribution mark,
I am sure that it is completely authentic and take full responsibility for any authenticity
issues arising from misattribution less