PJ-SI-62-A Armchair by Pierre Jeanneret, 1960

Description

Sculptural qualities define this object. A vivid dynamic between the different volumes and surfaces, showing different qualities from different angles. … more Sculptural qualities define this object. A vivid dynamic between the different volumes and surfaces, showing different qualities from different angles. Its expressive form offers a complex plasticity shaped by light and shadows. It is a one-of-a-kind piece - unique and outstanding, it holds a museum exhibit quality. An artefact for collectors and connoisseurs. A piece without any compromises. Highly valuable, rarely even offered by auction houses. However, it comes with a price. All massive wood parts are authentic. They are done in indian teak. Rich in texture, the wood is vivid and comes in cognac colour. The surface is treated with shellac and there are several layers of original shellac. It provides smooth irregular gloss different from that of the sterile lacquerware nowadays. Charming irregularities show that each piece is unique. The back legs and the seat create a single gesture, whereas the front ones are connected to the armrests in the same manner. Together with a back bar, they carry the backrest, which is slightly curved so to support the back nicely. This way, the elements create an equilibrium in a sense of coherent design. The surfaces of the seats are done in cane. Contrasting the massive wooden parts, which frame it nicely, cane expresses a lightness with its transparency. The geometrical patterns of the canework create a charming shadowscape. We do the caning like it was done in chandigarh. We use durable and thicker cane. I think the piece blends well with many interior styles. It can support pure, modern aesthetics by giving them a warmer character with its natural materials and warm colours. By itself, this masterpiece is an eye-catcher, enriching each interior. P! galerie’s selection is mainly focused on rare french mid-century modern design artefacts by pierre jeanneret, jean prouvé, le corbusier, and charlotte perriand. Artefacts from our carefully curated collection are handpicked, and all traces and important indicators of authenticity are evaluated professionally. We try to preserve as much of patina as possible during the process of restoration, as it defines these historic pieces. Each object comes with a certificate of authenticity, offering you the opportunity to own a valuable artefact originating from a unesco-designated world heritage site. Not only do we cooperate with museums and offer auction houses our services and expert opinion, we also look forward to welcoming you as a private collector and connoisseur. Literature: eric touchaleaume and gerald moreau, 'le corbusier pierre jeanneret: the indian adventure, design-art-architecture' (paris: gourcuff gradenigo, 2011), 571. I have official proof of authenticity such as vintage catalogs,
designer records,
or other literature sources and take full responsibility for any authenticity issues arising
from
misattribution less