Details
- Dimensions
- 17.72ʺW × 21.26ʺD × 33.86ʺH
- Period
- 1950s
- Country of Origin
- India
- Item Type
- Vintage, Antique or Pre-owned
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- Materials
- Leather
- Teak
- Condition
- Good Condition, Unknown, Some Imperfections
- Color
- Black
- Condition Notes
- Patina Consistent with Age and Use,Reupholstered,Completely Restored,Surface Has Been Refinished Patina Consistent with Age and Use,Reupholstered,Completely Restored,Surface Has Been Refinished less
- Description
-
These items express a specific rawness. There is no need for precise execution or the desire to appear sophisticated. They …
more
These items express a specific rawness. There is no need for precise execution or the desire to appear sophisticated. They are simple, self-evident, and direct. They are made out of basic elements, illustrating a new language: essential and cleared of everything irrelevant. Here the silhouette is strong. It is presented through the outline and shape of the piece. All massive wood parts are authentic. They are done in Indian teak. Rich in texture, the wood is vivid and comes in cognac colour. The surface is treated with shellac and there are several layers of original shellac. It provides smooth irregular gloss different from that of the sterile lacquerware nowadays. Charming irregularities show that each piece is unique. The wood creates a framing around the leather filling. Chandigarh items are famous for A-shaped legs, also known as compass legs. On the inner side, the edges are sharper, while the outer edges are rounded. The shape of the legs illustrates the weight they carry. Here it is obvious that Pierre Jeanneret, together with Jean Prouvé and Le Corbusier, had a structural, not decorative, expression. The upholstery is redone in a traditional way. As foam was used for the original seat, we upholstered them accordingly. This has been redone in high-end vintage leather in black colour as per original design. I think the set blends well with many interior styles. It can support pure, modern aesthetics by giving them a warmer character with its natural materials. As chairs, they are usable for dining and working, supporting the back nicely. P! Galerie’s selection is mainly focused on rare French mid-century modern design artefacts by Pierre Jeanneret, Jean Prouvé, Le Corbusier, and Charlotte Perriand. Artefacts from our carefully curated collection are handpicked, and all traces and important indicators of authenticity are evaluated professionally. We try to preserve as much of patina as possible during the process of restoration, as it defines these historic pieces. Each object comes with a certificate of authenticity, offering you the opportunity to own a valuable artefact originating from a UNESCO-designated World Heritage Site. Not only do we cooperate with museums and offer auction houses our services and expert opinion, we also look forward to welcoming you as a private collector and connoisseur. Literature: Eric Touchaleaume and Gerald Moreau, 'Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-Art-Architecture' (Paris: Gourcuff Gradenigo, 2011), 561. I have official proof of authenticity such as vintage catalogs,
designer records,
or other literature sources and take full responsibility for any authenticity issues arising
from
misattribution less
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